Bob Garfield nella sua rubrica "Ad Review" su Advertising Age commenta le campagne pubblicitarie e anche lui ovviamente non poteva che lanciarsi nelle Cannes Predictions di quest'anno. In questo articolo (se non riuscite ad accedere alla pagina potete scaricarlo qui) pronostica il vincitore del Grand Prix di quest'anno: Dove Evolution. Ecco la mia risposta (pubblicata sulla stessa pagina dell'articolo, in fondo):
I don't think Dove Evolution deserves the 2007 Cannes Grand Prix.
The idea is pretty good, but technically the commercial reminds a lot of videos you can watch in Youtube (just type "Everyday" in the search engine and you will understand what I'm saying).
The real pretender to the Grand Prix could be "Happydent - Palace" for its excellent crafting. The idea perhaps is "old" (we have already seen a lot of tv and print campaigns with light-ening teeth) but expressed in a way we have never seen before. I think this spot is almost perfect. Good direction, good music (Big, big Nusrat Fateh Ali Khan...), good everything.
The alternative is Smooth-E. Mad ideas brought togheter by Thanonchai Sornsriwichai's perfect direction. And Jeh United of course.
I think the Grand Prix this year should come from East.
What about Carlton Draught Flashbeer? I think that gold is enough.
:-)
Regards,
federicorusso.blogspot.com
mercoledì 13 giugno 2007
martedì 12 giugno 2007
Leo Burnett Cannes Predictions 2007.
A seguire trovate le Cannes Prediction di Leo Burnett, un classico ormai da anni. Quest'anno ho battuto la mia ex agenzia sul tempo facendovi vedere in queste pagine quasi tutti gli spot proposti da Leo. Una gravissima omissione è stata non inserire Carlton Draught "Flash Beer", per me Gold Lion 2007 al 100%.
Coca-Cola Happiness Factory
BBC Radio 2 – Elvis
Honda Museum – Asimo
Vaseline – Sea
National Geographic – Heavy Head
Volkswagen – Like
Volkswagen – Movie
Volkswagen – Critique
Centraal Beheer Commercial: Acupuncture
Johnnie Walker – Android
Burger King – Stuff of legends
Bangkok Life Assurance – Salesman 1
Bangkok Life Assurance – Salesman 2
Bangkok Life Assurance – Salesman 3
Interflora - Haircut
Interflora – Party
Lux – Neon Girl
Altoids Sours – Fruit Pants
Volkswagen - Horse's Mouth
Volkswagen – Tea
Volkswagen – Hidden Camera
Dove – Evolution
Nike – Defy
G4 TV - Midnight Spank - "Bedroom" / "Kidney"
American Express – Animals
Quiksilver - Dinamite Surfing
Paolo Grassi Acting School – Registration is open
Lynx – Billions
Mountain Dew – Master
Axe – Crashes
Axe – Fishes
Levi's - Dangerous Liaisons
Ace – Scared babies
Happydent White – Palace
Coca Cola – Birdman
Toyota Tacoma - Robosaurus
Toyota Tracoma Nessie
Travelers – Snowball
Shera Flexy Board – Jing-Jok
Napcan – Children see. Children do.
Xbox – Cops and robbers
Tfl Motorcycle Safety - The Day You Went To Work
Smart - Backseat
Nike – I Feel Pretty
Levi’s News Story
First For Women Car Insurance – Taking The Piss
Red Stripe Beer - Foot Doctor
Red Stripe Beer – Large Headed Friend
MTV/Auto Trader – Idiots
Energizer – Immortal
Motorola – Cut Through
Coca-Cola Videogame
Aol Time Warner Turner Classic Movies - Close Encounters
Aol Time Warner Turner Classic Movies – Pulp Fiction
AIDES - Love Stories
Adidas – David Beckham
Foster's – Wedding.
Sul sito www.crackopenafriendly.com potete vedere gli altri soggetti.
Smooth E – Trailer
Smooth E – Foam
Smooth E – Daddy
Smooth E – Materialism
Impulse – Plane
Impulse – Train
Banco Hipotecario - 44 Cuadras y Una Baguette
Sony Bravia – Paint
Coca-Cola Happiness Factory
BBC Radio 2 – Elvis
Honda Museum – Asimo
Vaseline – Sea
National Geographic – Heavy Head
Volkswagen – Like
Volkswagen – Movie
Volkswagen – Critique
Centraal Beheer Commercial: Acupuncture
Johnnie Walker – Android
Burger King – Stuff of legends
Bangkok Life Assurance – Salesman 1
Bangkok Life Assurance – Salesman 2
Bangkok Life Assurance – Salesman 3
Interflora - Haircut
Interflora – Party
Lux – Neon Girl
Altoids Sours – Fruit Pants
Volkswagen - Horse's Mouth
Volkswagen – Tea
Volkswagen – Hidden Camera
Dove – Evolution
Nike – Defy
G4 TV - Midnight Spank - "Bedroom" / "Kidney"
American Express – Animals
Quiksilver - Dinamite Surfing
Paolo Grassi Acting School – Registration is open
Lynx – Billions
Mountain Dew – Master
Axe – Crashes
Axe – Fishes
Levi's - Dangerous Liaisons
Ace – Scared babies
Happydent White – Palace
Coca Cola – Birdman
Toyota Tacoma - Robosaurus
Toyota Tracoma Nessie
Travelers – Snowball
Shera Flexy Board – Jing-Jok
Napcan – Children see. Children do.
Xbox – Cops and robbers
Tfl Motorcycle Safety - The Day You Went To Work
Smart - Backseat
Nike – I Feel Pretty
Levi’s News Story
First For Women Car Insurance – Taking The Piss
Red Stripe Beer - Foot Doctor
Red Stripe Beer – Large Headed Friend
MTV/Auto Trader – Idiots
Energizer – Immortal
Motorola – Cut Through
Coca-Cola Videogame
Aol Time Warner Turner Classic Movies - Close Encounters
Aol Time Warner Turner Classic Movies – Pulp Fiction
AIDES - Love Stories
Adidas – David Beckham
Foster's – Wedding.
Sul sito www.crackopenafriendly.com potete vedere gli altri soggetti.
Smooth E – Trailer
Smooth E – Foam
Smooth E – Daddy
Smooth E – Materialism
Impulse – Plane
Impulse – Train
Banco Hipotecario - 44 Cuadras y Una Baguette
Sony Bravia – Paint
lunedì 11 giugno 2007
Aspettando Cannes 2007.
Quelli che seguono sono gli spot più meritevoli di attenzione che ho mandato alla mia mailing list i mesi precedenti l'apertura del blog. Tutti candidati a vincere al Cannes Lions 2007 - 54th International Advertising Festival - oltre a quelli che già avete avuto modo di vedere su queste pagine.
Pepsi Pinball
Agency: BBDO - New York - Chief Creative Officer: David Lubars Bill Bruce - Executive Creative Director: Don Schneider - CD/Copywriter: Brad Roseberry - CD/Art Director: John Leu - Executive Music Producer: Loren Parkins - Production Company: Partizan - Director: Traktor - Director of Photography: Matty Libatique - Executive Producer: Amy Wertheimer - Editorial Company: Lost Planet Editorial - Editor: Paul Martinez - Visual Effects: Method - Santa Monica - VFX Producer: Rich Rama - Music Company: Asche & Spencer - Technical Director: Andrew Bell CG Technical Supervisor: Gil Baron - Lead VFX Artist: Alex Frisch - CG Creative Director: Laurent Ledru
3 – Expo
Agency: WCRS/London - Creative Director: Luke Williamson Yan Elliott - Copywriter: Yannakis Jones - Agency Producer: James Lethem - Production Company: Partizan - Director: Traktor Director of Photography: Tim Maurice Jones - Production Designer: Joel Collins - Editorial Company: Final Cut – London - Editor: Rick Russell
Axe – Rolling
Versione censurata. In quella andata in onda non c’è una scena dove lei si mette sopra lui ed è stato tagliato il bacio tra le due ragazze. Il solito perbenismo ben pensante.
Agency: Bartle Bogle Hegarty - New York - Executive Creative Director: Kevin Roddy - Creative Director: William Gelner - Copywriter: Adam Reeves - Art Director: Bill Moulton - Senior Agency Producer: Jessica Dierauer - Production Company: Partizan - Director: Traktor - Director of Photography: Tim Maurice Jones - Producer: Rani Melendez - Editorial Company: MacKenzie Cutler Editorial - New York - Editor: Jun Diaz - Assistant Editor: Staley Dietrich - Visual Effects: FrameStore - New York - Audio Engineer: Philip Loeb - Music Supervision: Search Party Executive Producer (Editorial): Melissa Miller - Post Facility: Company 3 - Senior Flame Artist: Maryanne Lauric - Head of TV: Bruce Wellington - Audio Design: Sound Lounge - New York - Telecine Artist: Tim Masick - Senior Producer (Effects): James Razzall
Sony Bravia – Paint
Agency: Fallon – London - Writer: Juan Cabral Richard Flintham Jonathan Glazer - Production Company: Academy Films – London - Director: Jonathan Glazer - Producer: Nicky Barnes - Editorial Company: Quarry - Editor: Paul Watts - VFX: Asylum – London - Post Production: MPC – London - Sound: Wave. Il making of
Johnnie Walker – Human alias Android
Il making of.
Agency: Bartle Bogle Hegarty – London - Creative Director: John Hegarty - Copywriter: Justin Moore - Art Director: Steve Robertson - Agency Producer: Kristin Armstrong - Production Company: MJZ – London - Director: Dante Ariola - Director of Photography: Philippe Lesourd - Executive Producer: Debbie Turner - Producer: Natalie Hill - Editor: Andrea McArthur - VFX: The Mill – London - Lead Animator: Russell Tickner - Telecine: Jean-Clement Sorent - Music Company: A Bomb LTD - Audio Post Production: Wave - Song: "Zane Gort" - Lead Flame Artist: Chris Knight - Android Designer: Christopher Glass
Travelers Snowball
Meccanismo identico a Médecins Sans Frontières - Human Ball uscito nel 2005. (Client:Médecins Sans Frontières - Agency: Duval Guillaume – Bruxelles – Creative Director: Katrien Bottez Peter Ampe Xavier Bouillon - Copywriter: Tiny Nys – Art Director: Alexander Cha'ban - Agency Producer: Marc Van Buggenhout Dieter Lebbe Roxane Lemaire - Production Company: Caviar - Director: Andreas Hasle - Producer: Kato Maes Ingrid Maes - VFX: Grid - Music Company: Doctor Swing - Composer: Marie Daulne - Music Producer: Philippe Bokken)
Agency: Fallon – Minneapolis - Creative Director: Todd Riddle - Copywriter: James Bray - Art Director: James Zucco - Agency Executive Producer: Kate Talbott - Head of Broadcast Production: Vic Palumbo - Production Company: MJZ - Los Angeles - Director: Dante Ariola - Director of Photography: Toby Irwin - Executive Producer: Jeff Scruton Sue Dawson - Producer: Natalie Hill Joni Wright - Line Producer: Natalie Hill - Assistant Producer: Jim Haight - Editorial Company: the Whitehouse - Editor: Russell Icke - Assistant Editor: Joanna Manning James Turner - Colorist: Stefan Sonnenfeld - Special Effects: Weta Digital – Wellington - VFX Producer: Eileen Moran - VFX Supervisor: Dan Lemon - Animation Supervisor: Paul Story - Flame Artist: Verdi Sevenhuysen - Telecine: Company 3 - Sound Design: 740 Sound Design - Santa Monica - Sound Designer: Eddy Kim - Music: Human - Mix Engineer: Robert Feist - On-Line: Syndicate – Stockholm - Mix: RavensWork – Venice - Digital Producer: Kevin Sherwood Marvin Young - Digital FX Supervisor: Chris White - FX Editor: Matt Holmes Lucas Putnam
Xbox Cops and Robbers Commercial
Agency: McCann Erickson - San Francisco Executive - Creative Director: Rob Bagot John McNeil Creative Director: Scott Duchon Geoff Edwards - Copywriter: Rick Herrera - Art Director: Ben Wolan - Agency Producer: Matthew Winks - Production Company: Anonymous Content - Culver City - Director: Garth Davis - Director of Photography: Greig Fraser - Executive Producer: Andy Traines - Producer: Dan Brimer Carol Lynn Weaver Mark Kurtz - Line Producer: Karen Sproul - Head of Production (Prod.Co.): Sue Ellen Claire - Editorial Company: Rock Paper Scissors - Los Angeles - Editor: Angus Wall - Colorist: Stefan Sonnenfeld - Visual Effects: A52 - Los Angeles - Executive Producer (Effects): Mark Tobin - Telecine: Company 3 - Sound Designer: Jeff Payne - Music/Sound Design: Elias Arts - Composer: Nate Morgan - Inferno Artist: Justin Blaustein Carlos Morales - Executive Producer (Editorial): Dave Sellars Linda Carlson - Final Mix: Eleven Sound - Music Executive Producer: Ann Haugen - Lead Inferno Artist: Patrick Murphy - Music Creative Director: David Gold - Executive Producer (Telecine): Missy Papageorge - Audio Post Executive Producer: DJ Fox-Engstrom
Dove – Evolution
Agency: Ogilvy & Mather - Toronto - Creative Director: Janet Kestin Nancy Vonk - Copywriter: Tim Piper - Art Director: Mike Kirkland Tim Piper - Production Company: Reginald Pike – Toronto - Director: Yael Staav - Editor: Paul Gowan - Online Editor: Kevin Gibson - Photographer: Gabor Jurina - Sound Design: Vapor - Music: Vapor - Post Producer: Stefani Kouverianos - Retoucher: Edward Cha - Graphics: Eric Makila Bob Zagorskis - Agency Broadcast Producer: Brenda Surminski - Makeup Artist: Diana Carreiro
Greenpeace – Breathe In, Breath Out.
Agency: Publicis Mojo - Copywriter: Nick Worthington Lachlan McPherson - Art Director: Nick Worthington Lachlan McPherson - Agency Producer: Jodie Hari Corey Esse Colin Hickson – Production Company: Revolver Film - Director: Rey Carlson - Director of Photography: Rey Carlson - Executive Producer: Michael Ritchie - Producer: Erin Olsen - Line Producer: Marge McInnes - Assistant Producer: Taryn Gold - Editorial Company: the Whitehouse - Editor: Richard Learoyd - Sound Designer: Peter Miller Steve Finnigan Colin Simkins - Digital Post: Animal Logic – Sydney - Concept Editor: Justin Harwood
Leiras - Headplayer
Agency: Bob Helsinki - Helsinki - Copywriter: Kari Eiola - Art Director: Jaakko Veijola Zoubida Benkhellat - Agency Producer: Mary Lee Sjönell - Production Company: Flodellfilm - Stockholm - Director: Tomas Jonsgården - Director of Photography: Richard Rericha - Producer: Magnus Åckerstedt - Editorial Company: Nostromo - Editor: Gregers Dohn - VFX: The Chimney Pot – Oslo
Renault – Slow is ugly
Agency: Lowe Mexico - Mexico City - Creative Director: Humberto Polar - CD/Copywriter: Flavio Pantigoso
CD/Art Director: Agustín Esteban - Agency Producer: Rosa Maria Gutierrez - Production Company: Cineconcepto - Mexico City - Director: Fred Clapp - Director of Photography: Serguei Tanaca - Producer: Juan Mancera - Editorial Company: The Filter - Mexico City - Editor: Celina Moreno - VFX: The Filter - Mexico City - Music: Rodrigo Barberá - Music Company: Prado Sur Audio
Nike - Pretty
Agency: Wieden + Kennedy - Portland - Creative Director: Steve Luker - Copywriter: Alberto Ponte Sheena Brady - Art Director: Mira Kaddoura - Agency Producer: Robyn Boardman - Production Company: Smuggler - Director: Ivan Zacharias - Executive Producer: Nick Landon Patrick Milling Smith Brian Carmody - Editor: Filip Malasek - VFX: The Mill - New York
Pepsi Pinball
Agency: BBDO - New York - Chief Creative Officer: David Lubars Bill Bruce - Executive Creative Director: Don Schneider - CD/Copywriter: Brad Roseberry - CD/Art Director: John Leu - Executive Music Producer: Loren Parkins - Production Company: Partizan - Director: Traktor - Director of Photography: Matty Libatique - Executive Producer: Amy Wertheimer - Editorial Company: Lost Planet Editorial - Editor: Paul Martinez - Visual Effects: Method - Santa Monica - VFX Producer: Rich Rama - Music Company: Asche & Spencer - Technical Director: Andrew Bell CG Technical Supervisor: Gil Baron - Lead VFX Artist: Alex Frisch - CG Creative Director: Laurent Ledru
3 – Expo
Agency: WCRS/London - Creative Director: Luke Williamson Yan Elliott - Copywriter: Yannakis Jones - Agency Producer: James Lethem - Production Company: Partizan - Director: Traktor Director of Photography: Tim Maurice Jones - Production Designer: Joel Collins - Editorial Company: Final Cut – London - Editor: Rick Russell
Axe – Rolling
Versione censurata. In quella andata in onda non c’è una scena dove lei si mette sopra lui ed è stato tagliato il bacio tra le due ragazze. Il solito perbenismo ben pensante.
Agency: Bartle Bogle Hegarty - New York - Executive Creative Director: Kevin Roddy - Creative Director: William Gelner - Copywriter: Adam Reeves - Art Director: Bill Moulton - Senior Agency Producer: Jessica Dierauer - Production Company: Partizan - Director: Traktor - Director of Photography: Tim Maurice Jones - Producer: Rani Melendez - Editorial Company: MacKenzie Cutler Editorial - New York - Editor: Jun Diaz - Assistant Editor: Staley Dietrich - Visual Effects: FrameStore - New York - Audio Engineer: Philip Loeb - Music Supervision: Search Party Executive Producer (Editorial): Melissa Miller - Post Facility: Company 3 - Senior Flame Artist: Maryanne Lauric - Head of TV: Bruce Wellington - Audio Design: Sound Lounge - New York - Telecine Artist: Tim Masick - Senior Producer (Effects): James Razzall
Sony Bravia – Paint
Agency: Fallon – London - Writer: Juan Cabral Richard Flintham Jonathan Glazer - Production Company: Academy Films – London - Director: Jonathan Glazer - Producer: Nicky Barnes - Editorial Company: Quarry - Editor: Paul Watts - VFX: Asylum – London - Post Production: MPC – London - Sound: Wave. Il making of
Johnnie Walker – Human alias Android
Il making of.
Agency: Bartle Bogle Hegarty – London - Creative Director: John Hegarty - Copywriter: Justin Moore - Art Director: Steve Robertson - Agency Producer: Kristin Armstrong - Production Company: MJZ – London - Director: Dante Ariola - Director of Photography: Philippe Lesourd - Executive Producer: Debbie Turner - Producer: Natalie Hill - Editor: Andrea McArthur - VFX: The Mill – London - Lead Animator: Russell Tickner - Telecine: Jean-Clement Sorent - Music Company: A Bomb LTD - Audio Post Production: Wave - Song: "Zane Gort" - Lead Flame Artist: Chris Knight - Android Designer: Christopher Glass
Travelers Snowball
Meccanismo identico a Médecins Sans Frontières - Human Ball uscito nel 2005. (Client:Médecins Sans Frontières - Agency: Duval Guillaume – Bruxelles – Creative Director: Katrien Bottez Peter Ampe Xavier Bouillon - Copywriter: Tiny Nys – Art Director: Alexander Cha'ban - Agency Producer: Marc Van Buggenhout Dieter Lebbe Roxane Lemaire - Production Company: Caviar - Director: Andreas Hasle - Producer: Kato Maes Ingrid Maes - VFX: Grid - Music Company: Doctor Swing - Composer: Marie Daulne - Music Producer: Philippe Bokken)
Agency: Fallon – Minneapolis - Creative Director: Todd Riddle - Copywriter: James Bray - Art Director: James Zucco - Agency Executive Producer: Kate Talbott - Head of Broadcast Production: Vic Palumbo - Production Company: MJZ - Los Angeles - Director: Dante Ariola - Director of Photography: Toby Irwin - Executive Producer: Jeff Scruton Sue Dawson - Producer: Natalie Hill Joni Wright - Line Producer: Natalie Hill - Assistant Producer: Jim Haight - Editorial Company: the Whitehouse - Editor: Russell Icke - Assistant Editor: Joanna Manning James Turner - Colorist: Stefan Sonnenfeld - Special Effects: Weta Digital – Wellington - VFX Producer: Eileen Moran - VFX Supervisor: Dan Lemon - Animation Supervisor: Paul Story - Flame Artist: Verdi Sevenhuysen - Telecine: Company 3 - Sound Design: 740 Sound Design - Santa Monica - Sound Designer: Eddy Kim - Music: Human - Mix Engineer: Robert Feist - On-Line: Syndicate – Stockholm - Mix: RavensWork – Venice - Digital Producer: Kevin Sherwood Marvin Young - Digital FX Supervisor: Chris White - FX Editor: Matt Holmes Lucas Putnam
Xbox Cops and Robbers Commercial
Agency: McCann Erickson - San Francisco Executive - Creative Director: Rob Bagot John McNeil Creative Director: Scott Duchon Geoff Edwards - Copywriter: Rick Herrera - Art Director: Ben Wolan - Agency Producer: Matthew Winks - Production Company: Anonymous Content - Culver City - Director: Garth Davis - Director of Photography: Greig Fraser - Executive Producer: Andy Traines - Producer: Dan Brimer Carol Lynn Weaver Mark Kurtz - Line Producer: Karen Sproul - Head of Production (Prod.Co.): Sue Ellen Claire - Editorial Company: Rock Paper Scissors - Los Angeles - Editor: Angus Wall - Colorist: Stefan Sonnenfeld - Visual Effects: A52 - Los Angeles - Executive Producer (Effects): Mark Tobin - Telecine: Company 3 - Sound Designer: Jeff Payne - Music/Sound Design: Elias Arts - Composer: Nate Morgan - Inferno Artist: Justin Blaustein Carlos Morales - Executive Producer (Editorial): Dave Sellars Linda Carlson - Final Mix: Eleven Sound - Music Executive Producer: Ann Haugen - Lead Inferno Artist: Patrick Murphy - Music Creative Director: David Gold - Executive Producer (Telecine): Missy Papageorge - Audio Post Executive Producer: DJ Fox-Engstrom
Dove – Evolution
Agency: Ogilvy & Mather - Toronto - Creative Director: Janet Kestin Nancy Vonk - Copywriter: Tim Piper - Art Director: Mike Kirkland Tim Piper - Production Company: Reginald Pike – Toronto - Director: Yael Staav - Editor: Paul Gowan - Online Editor: Kevin Gibson - Photographer: Gabor Jurina - Sound Design: Vapor - Music: Vapor - Post Producer: Stefani Kouverianos - Retoucher: Edward Cha - Graphics: Eric Makila Bob Zagorskis - Agency Broadcast Producer: Brenda Surminski - Makeup Artist: Diana Carreiro
Greenpeace – Breathe In, Breath Out.
Agency: Publicis Mojo - Copywriter: Nick Worthington Lachlan McPherson - Art Director: Nick Worthington Lachlan McPherson - Agency Producer: Jodie Hari Corey Esse Colin Hickson – Production Company: Revolver Film - Director: Rey Carlson - Director of Photography: Rey Carlson - Executive Producer: Michael Ritchie - Producer: Erin Olsen - Line Producer: Marge McInnes - Assistant Producer: Taryn Gold - Editorial Company: the Whitehouse - Editor: Richard Learoyd - Sound Designer: Peter Miller Steve Finnigan Colin Simkins - Digital Post: Animal Logic – Sydney - Concept Editor: Justin Harwood
Leiras - Headplayer
Agency: Bob Helsinki - Helsinki - Copywriter: Kari Eiola - Art Director: Jaakko Veijola Zoubida Benkhellat - Agency Producer: Mary Lee Sjönell - Production Company: Flodellfilm - Stockholm - Director: Tomas Jonsgården - Director of Photography: Richard Rericha - Producer: Magnus Åckerstedt - Editorial Company: Nostromo - Editor: Gregers Dohn - VFX: The Chimney Pot – Oslo
Renault – Slow is ugly
Agency: Lowe Mexico - Mexico City - Creative Director: Humberto Polar - CD/Copywriter: Flavio Pantigoso
CD/Art Director: Agustín Esteban - Agency Producer: Rosa Maria Gutierrez - Production Company: Cineconcepto - Mexico City - Director: Fred Clapp - Director of Photography: Serguei Tanaca - Producer: Juan Mancera - Editorial Company: The Filter - Mexico City - Editor: Celina Moreno - VFX: The Filter - Mexico City - Music: Rodrigo Barberá - Music Company: Prado Sur Audio
Nike - Pretty
Agency: Wieden + Kennedy - Portland - Creative Director: Steve Luker - Copywriter: Alberto Ponte Sheena Brady - Art Director: Mira Kaddoura - Agency Producer: Robyn Boardman - Production Company: Smuggler - Director: Ivan Zacharias - Executive Producer: Nick Landon Patrick Milling Smith Brian Carmody - Editor: Filip Malasek - VFX: The Mill - New York
lunedì 4 giugno 2007
Ads of the week. The first post from Publicis.
Ciao a tutti. Scusate il ritardo del post ma come sapete ho cambiato agenzia da pochissimo. Dopo una settimanella di ferie, rieccomi incollato alla scrivania. Per la vostra gioia troverete gli spot più belli visti nelle ultime due settimane. Spero abbiate gradito la parentesi Frank Budgen. Iniziamo con una campagna Nike che vi devo proporre per dovere di cronaca, ma che ahimè fa ricordare con un sospiro i veri spot Nike che sbaragliavano tutti a Cannes.
Nike – Momentum
Advertising Agency: Villarrosàs, Barcelona, Spain - Creative directors: Oriol Villar, Fernando Codina - Art director: Enric Soldevila - Copywriter: Tuning - Account executives: Pablo Zea, Juan Badilla - Agency producer: Melanie Andrada - Production company: Agosto, Barcelona, Spain - Director: Nacho Gayán - Executive producer: Rafa Montilla - Line producer: Toni Moreno - Director of photography: Manel Ruiz - Director’s assistant: Tirso - Post Production : Metropolitana Infinia - Music: La Crèm - Sound: Redback
The Mail on Sunday – Battle
Agency: BBH London - Creatives: Russell Ramsey (Creative Director) Matt Waller (Art Director) Dave Monk (Copywriter) Sam Robinson (Agency Producer) - Director(s): Traktor - Prod. Co.: Partizan - Country: United Kingdom
Toyota Corolla - Lost Keys
Agency: Saatchi & Saatchi. Auckland - Executive Creative Director: Mike O'Sullivan - Creatives: Levi Slavin, Dave Govier - Agency Producer: Tania Jeram - Producer: Mark Foster - Director: Adam Stevens - Production: Robbers Dog Films Ltd.
Multiple Sclerosis - Saboteur
Agency: Cummins&Partners, Melbourne - Creatives: James Procter (Creative Director) Carolyn Davis (Art Director) Matthew Page (Copywriter) Sam McGarry (Producer) Jill Wheeler (Agency Producer) - Director(s): Sean Meehan - Prod. Co.:
Soma Films - Country: Australia - Editor: Peter Whitmore - Post: Digital Pictures & MRPPP
Sylvania – Pic-nic
La mia passione per la pubblicità tailandese raggiunge l’apice più estremo con questo spot firmato dalla solita Jeh United di Bangkok. Il regista è il grandissimo Thanonchai Sornsriwichai / Sornsrivichai, che ha già firmato la bellissima campagna per Smooth E - destinata secondo me a vincere l’oro a Cannes quest’anno - e altre campagne memorabili che potete trovare nel post relativo ad un altro regista tailandese da urlo: Suthon Petchsuwan
Agency: JEH United – Bangkok - CD/Art Director: Jureeporn Thaidumrong - Copywriter: Suwit Ekudompong - Art Director: Tom Aniruth Wat Apiwat - Production Company: Phenomena - Director: Thanonchai Sornsriwichai - Editor: Manop Boonvipas - VFX: Oriental Post - Sound Studio: Cine Digital
Moulinex - Life Gets Easier
Agency: Publicis Conseil – Paris - Executive Creative Director: Olivier Altmann - Copywriter: Sébastien Aimé - Art Director: Estelle Pinet - TV Producer: Sam Fontaine Pierre Marcus - Production Company: La Pac - Director: Lieven van Baelen - Executive Producer: Jean Ozzanat - Sound Producer: Laurent Favard Carsten Krueger
Reanult Fisherman
Agency: Publicis Conseil – Paris - Creative Director: Herve Plumet - Copywriter: Marc Rosier - Art Director: Jean Marc Tramoni - Designer: Haejin Cho - Agency Producer: Sam Fontaine - Production Company: Stink/Psyop - Director: Eben Mears - Executive Producer: Daniel Bergmann Justin Booth-Clibborn - Producer: Mungo Maclagen - Editor: Cass Vanini - Visual Effects: MassMarket - Executive Producer (Effects): Justin Lane - VFX Supervisor: Chris Staves - VFX Post Producer: Jen Glabus
Skoda – The Baking of…
A seguire lo spot, qui il making of.
Agency: Fallon – London - Creative: John Allison - Chris Bovill – Creative - Director: Richard Flintham - Agency Producer: Nicky Barnes - Production Company: Gorgeous Enterprises – London - Director: Chris Palmer - Director of Photography: Bruno Delbonnel - Producer: Rupert Smythe - Editorial Company: The Quarry – London - Editor: Paul Watts - VFX: Alterations Services - Musical Artist: Julie Andrews
Space.nk – Discover
Agency Wieden + Kennedy, London - Creatives Kim Papworth Creatives Guy Featherstone Creatives Tony Davidson Creatives Ben Everitt Creatives Mark McCall - Agency Producer Julia Methold - Production Up The Resolution, London - Director Up The Resolution - Director Of Photography Peter Hannan - Post Production Wave Recording Studios - London Sound Engineer Jack Sedgwick
Volkswagen Night Driving
Voice over di Richard Burton, testo di Dylan Thomas “Under the milk wood”. Regia di Noam Murro. Insomma un premio la DDB di Londra lo vuole a tutti i costi. Per approfondire andate sul sito duncans.tv e sul sito ufficiale www.night-driving.com
Agency: DDB – London - Copywriter: Sam Oliver - Art Director: Shishir Patel Agency Producer: Lucinda Ker - Production Company: Biscuit/Independent - Director: Noam Murro - Director of Photography: Paul Cameron - Executive Producer: Shawn Lacy Tessaro Eric Stern Richard Packer - Producer: Jay Veal - Editorial Company: Marshall Street Editors - London
Editor: Tim Thornton Allen - VFX: Alex Thomas Framestore CFC - London - Song: "Don't Blow It" - Musical Artist: Cliff Martinez
MTV – False Teeth
Agency: Young & Rubicam - Buenos Aires - Executive Creative Director: Guillermo Vega - CD/Copywriter: Juan Frontini Ariel Serkin - CD/Art Director: Demian Veleda Hernan Cerdeiro - Agency Producer: Luis Pompeo Juan Maidana Florencia Caputo - Production Company: LANDIA - Buenos Aires - Director: Agustín Alberdi - Director of Photography: Charly Riter - Executive Producer: Andy Fogwill Claudio Amoedo - Producer: Juan Taylor - Editor: Agustin De Vittorio - Sound Design: La Casa Post Sound - Music: La Rana - Post Producer: Maldito Render - 3D: ALT
MTV - Reincarnation
Agency: Young & Rubicam - Buenos Aires - Executive Creative Director: Guillermo Vega - CD/Copywriter: Juan Frontini Ariel Serkin - CD/Art Director: Demian Veleda Hernan Cerdeiro - Agency Producer: Luis Pompeo Juan Maidana Florencia Caputo - Production Company: LANDIA - Buenos Aires - Director: Agustín Alberdi - Director of Photography: Charly Riter - Executive Producer: Andy Fogwill Claudio Amoedo - Producer: Juan Taylor - Editor: Agustin De Vittorio Carolina Grgurevic - Post Production: SASTRE - Sound Design: La Casa Post Sound - Music: La Rana - 3D: ALT
MTV - Toupee
Agency: Young & Rubicam - Buenos Aires - Executive Creative Director: Guillermo Vega - CD/Copywriter: Juan Frontini Ariel Serkin - CD/Art Director: Demian Veleda Hernan Cerdeiro - Agency Producer: Luis Pompeo Juan Maidana Florencia Caputo - Production Company: LANDIA - Buenos Aires - Director: Luciano Quilici - Director of Photography: Cepe Sayas - Executive Producer: Andy Fogwill Claudio Amoedo - Producer: Geo Orellana - Editor: Agustin De Vittorio - Post Production: SASTRE - Sound Design: La Casa Post Sound - Music: La Rana - Art Direction: Mauro Do Porto - 3D: ALT
Nike – Momentum
Advertising Agency: Villarrosàs, Barcelona, Spain - Creative directors: Oriol Villar, Fernando Codina - Art director: Enric Soldevila - Copywriter: Tuning - Account executives: Pablo Zea, Juan Badilla - Agency producer: Melanie Andrada - Production company: Agosto, Barcelona, Spain - Director: Nacho Gayán - Executive producer: Rafa Montilla - Line producer: Toni Moreno - Director of photography: Manel Ruiz - Director’s assistant: Tirso - Post Production : Metropolitana Infinia - Music: La Crèm - Sound: Redback
The Mail on Sunday – Battle
Agency: BBH London - Creatives: Russell Ramsey (Creative Director) Matt Waller (Art Director) Dave Monk (Copywriter) Sam Robinson (Agency Producer) - Director(s): Traktor - Prod. Co.: Partizan - Country: United Kingdom
Toyota Corolla - Lost Keys
Agency: Saatchi & Saatchi. Auckland - Executive Creative Director: Mike O'Sullivan - Creatives: Levi Slavin, Dave Govier - Agency Producer: Tania Jeram - Producer: Mark Foster - Director: Adam Stevens - Production: Robbers Dog Films Ltd.
Multiple Sclerosis - Saboteur
Agency: Cummins&Partners, Melbourne - Creatives: James Procter (Creative Director) Carolyn Davis (Art Director) Matthew Page (Copywriter) Sam McGarry (Producer) Jill Wheeler (Agency Producer) - Director(s): Sean Meehan - Prod. Co.:
Soma Films - Country: Australia - Editor: Peter Whitmore - Post: Digital Pictures & MRPPP
Sylvania – Pic-nic
La mia passione per la pubblicità tailandese raggiunge l’apice più estremo con questo spot firmato dalla solita Jeh United di Bangkok. Il regista è il grandissimo Thanonchai Sornsriwichai / Sornsrivichai, che ha già firmato la bellissima campagna per Smooth E - destinata secondo me a vincere l’oro a Cannes quest’anno - e altre campagne memorabili che potete trovare nel post relativo ad un altro regista tailandese da urlo: Suthon Petchsuwan
Agency: JEH United – Bangkok - CD/Art Director: Jureeporn Thaidumrong - Copywriter: Suwit Ekudompong - Art Director: Tom Aniruth Wat Apiwat - Production Company: Phenomena - Director: Thanonchai Sornsriwichai - Editor: Manop Boonvipas - VFX: Oriental Post - Sound Studio: Cine Digital
Moulinex - Life Gets Easier
Agency: Publicis Conseil – Paris - Executive Creative Director: Olivier Altmann - Copywriter: Sébastien Aimé - Art Director: Estelle Pinet - TV Producer: Sam Fontaine Pierre Marcus - Production Company: La Pac - Director: Lieven van Baelen - Executive Producer: Jean Ozzanat - Sound Producer: Laurent Favard Carsten Krueger
Reanult Fisherman
Agency: Publicis Conseil – Paris - Creative Director: Herve Plumet - Copywriter: Marc Rosier - Art Director: Jean Marc Tramoni - Designer: Haejin Cho - Agency Producer: Sam Fontaine - Production Company: Stink/Psyop - Director: Eben Mears - Executive Producer: Daniel Bergmann Justin Booth-Clibborn - Producer: Mungo Maclagen - Editor: Cass Vanini - Visual Effects: MassMarket - Executive Producer (Effects): Justin Lane - VFX Supervisor: Chris Staves - VFX Post Producer: Jen Glabus
Skoda – The Baking of…
A seguire lo spot, qui il making of.
Agency: Fallon – London - Creative: John Allison - Chris Bovill – Creative - Director: Richard Flintham - Agency Producer: Nicky Barnes - Production Company: Gorgeous Enterprises – London - Director: Chris Palmer - Director of Photography: Bruno Delbonnel - Producer: Rupert Smythe - Editorial Company: The Quarry – London - Editor: Paul Watts - VFX: Alterations Services - Musical Artist: Julie Andrews
Space.nk – Discover
Agency Wieden + Kennedy, London - Creatives Kim Papworth Creatives Guy Featherstone Creatives Tony Davidson Creatives Ben Everitt Creatives Mark McCall - Agency Producer Julia Methold - Production Up The Resolution, London - Director Up The Resolution - Director Of Photography Peter Hannan - Post Production Wave Recording Studios - London Sound Engineer Jack Sedgwick
Volkswagen Night Driving
Voice over di Richard Burton, testo di Dylan Thomas “Under the milk wood”. Regia di Noam Murro. Insomma un premio la DDB di Londra lo vuole a tutti i costi. Per approfondire andate sul sito duncans.tv e sul sito ufficiale www.night-driving.com
Agency: DDB – London - Copywriter: Sam Oliver - Art Director: Shishir Patel Agency Producer: Lucinda Ker - Production Company: Biscuit/Independent - Director: Noam Murro - Director of Photography: Paul Cameron - Executive Producer: Shawn Lacy Tessaro Eric Stern Richard Packer - Producer: Jay Veal - Editorial Company: Marshall Street Editors - London
Editor: Tim Thornton Allen - VFX: Alex Thomas Framestore CFC - London - Song: "Don't Blow It" - Musical Artist: Cliff Martinez
MTV – False Teeth
Agency: Young & Rubicam - Buenos Aires - Executive Creative Director: Guillermo Vega - CD/Copywriter: Juan Frontini Ariel Serkin - CD/Art Director: Demian Veleda Hernan Cerdeiro - Agency Producer: Luis Pompeo Juan Maidana Florencia Caputo - Production Company: LANDIA - Buenos Aires - Director: Agustín Alberdi - Director of Photography: Charly Riter - Executive Producer: Andy Fogwill Claudio Amoedo - Producer: Juan Taylor - Editor: Agustin De Vittorio - Sound Design: La Casa Post Sound - Music: La Rana - Post Producer: Maldito Render - 3D: ALT
MTV - Reincarnation
Agency: Young & Rubicam - Buenos Aires - Executive Creative Director: Guillermo Vega - CD/Copywriter: Juan Frontini Ariel Serkin - CD/Art Director: Demian Veleda Hernan Cerdeiro - Agency Producer: Luis Pompeo Juan Maidana Florencia Caputo - Production Company: LANDIA - Buenos Aires - Director: Agustín Alberdi - Director of Photography: Charly Riter - Executive Producer: Andy Fogwill Claudio Amoedo - Producer: Juan Taylor - Editor: Agustin De Vittorio Carolina Grgurevic - Post Production: SASTRE - Sound Design: La Casa Post Sound - Music: La Rana - 3D: ALT
MTV - Toupee
Agency: Young & Rubicam - Buenos Aires - Executive Creative Director: Guillermo Vega - CD/Copywriter: Juan Frontini Ariel Serkin - CD/Art Director: Demian Veleda Hernan Cerdeiro - Agency Producer: Luis Pompeo Juan Maidana Florencia Caputo - Production Company: LANDIA - Buenos Aires - Director: Luciano Quilici - Director of Photography: Cepe Sayas - Executive Producer: Andy Fogwill Claudio Amoedo - Producer: Geo Orellana - Editor: Agustin De Vittorio - Post Production: SASTRE - Sound Design: La Casa Post Sound - Music: La Rana - Art Direction: Mauro Do Porto - 3D: ALT
venerdì 25 maggio 2007
Hewlett Packard. The computer is personal again.
Lo stimolo per occuparmi della campagna Hewlett Packard me lo ha dato l'ultimo soggetto uscito in cui Michel Gondry è protagonista. La regia dei soggetti "Gondry" e "Vera Wang" è di Olivier Gondry, fratello minore di Michel. Vi consiglio di dare un'occhiata ai siti delle case di produzione e post degli altri soggetti. Hanno fatto un lavoro eccezionale. Trovate i link qui sulla destra in fondo alla pagina. In particolare vi consiglio di soffermarvi sul sito della Motion Theory, la casa di produzione che ha seguito gli altri soggetti, eccetto "Jay-Z" e "Shaun White" (Bob Industries).
Hewlett-Packard – Gondry
Agency: Goodby, Silverstein & Partners - San Francisco - GCD/Copywriter: Mike McKay - ACD/Art Director: Stephen Goldblatt - Agency Producer: Vicki Tripp - Production Company: Partizan - Director: Olivier Gondry - Director of Photography: Tim Ives - Executive Producer: Sheila Stepanek - Line Producer: Valerie Romer - Head of Production (Prod.Co.): Ian Bearce - Editorial Company: Jigsaw - Santa Monica - Editor: Olivier Gajan - Visual Effects: 8 VFX - Executive Producer (Effects): Baptiste Andrieux - VFX Producer: Marsi Frey - VFX Supervisor: Jean-Marc Demmer - Sound Design: Gus Koven Stimmung - Music: Michel Gondry - Production Manager: Magali Selosse-Bishop - Production Coordinator: Kristel Wedin - Mix Engineer: Peter Rincon - Mix: POP Sound - Santa Monica - Executive Producer (Editorial): Sybil McCarthy-Hadfield - Executive Agency Producer: Josh Reynolds - Partner/Creative Director: Steve Simpson - Co-Chairman/CD: Rich Silverstein
Hewlett-Packard - Vera Wang
Agency: Goodby, Silverstein & Partners - San Francisco - GCD/Copywriter: Mike McKay - ACD/Art Director: Stephen Goldblatt - Agency Producer: Vicki Tripp - Production Company: Partizan - Director: Olivier Gondry - Director of Photography: Tim Ives - Executive Producer: Sheila Stepanek - Line Producer: Valerie Romer - Editorial Company: Filmcore - Editor: Michael Hackett - Visual Effects: 8 VFX - Executive Producer (Effects): Baptiste Andrieux - VFX Supervisor: Jean-Marc Demmer - Sound Design: Gus Koven Stimmung - Music: Mutato Muzika - Mix Engineer: Peter Rincon - Mix: POP Sound - Santa Monica - Executive Producer (Editorial): Scott Frisse - Executive Agency Producer: Josh Reynolds - Partner/Creative Director: Steve Simpson - Co-Chairman/CD: Rich Silverstein
Hewlett-Packard – Pharrell - Il making of.
Agency: Goodby, Silverstein & Partners - San Francisco - Creative Director: Rich Silverstein Steve Simpson - GCD/Copywriter: Mike McKay - ACD/Art Director: Stephen Goldblatt - Art Director: Pete Conolly - Agency Producer: Ashley Sferro - Senior Agency Producer: Hilary Bradley - Production Company: Motion Theory – Venice - Director: Mathew Cullen - Executive Producer: Javier Jiminez - Post Production Supervisor: James Taylor - VFX: 1.1 VFX Motion Theory – Venice - Sound Designer: Gus Koven - Music/Sound Design: Stimmung - Audio Post Production: Eleven Studios - Santa Monica - Mixer: Jeff Fuller - Design/Animation: Motion Theory – Venice - Compositor: Danny Yoon - VFX Art Director: Mark Kudsi - Compositing: Riot - Santa Monica - Transfer: Clark Mueller
Hewlett-Packard - Mark Cuban
Agency: Goodby, Silverstein & Partners - San Francisco - Creative Director: Rich Silverstein Steve Simpson - GCD/Copywriter: Mike McKay - ACD/Art Director: Stephen Goldblatt - Copywriter: John Matejczyk - Art Director: Pete Conolly - Agency Producer: Ashley Sferro - Senior Agency Producer: Hilary Bradley - Production Company: Motion Theory – Venice - Director: Mathew Cullen - Executive Producer: Javier Jiminez - Post Production Supervisor: James Taylor - VFX: 1.1 VFX - Motion Theory – Venice - Sound Designer: Gus Koven - Music/Sound Design: Stimmung - Audio Post Production: Eleven Studios - Santa Monica - Mixer: Jeff Fuller - Design/Animation: Motion Theory – Venice - Compositor: Danny Yoon - VFX Art Director: Mark Kudsi - Compositing: Riot - Santa Monica - Transfer: Clark Mueller
Hewlett-Packard - Paulo Coelho
Agency: Goodby, Silverstein & Partners/SF - Creative Director, Co-Chairman: Rich Silverstein - Creative Director, Partner: Steve Simpson - Group Creative Director: Mike Mckay - Associate Creative Director: Stephen Goldblatt - Executive Producer: Josh Reynolds - Producer: Ashley Sferro - Agency: McCann Erickson/Mexico - Creative Director/Writer/Art Director: Rodrigo Lopez - Production Company: Motion Theory - Director: Mathew Cullen - DP: Roman Jakobi - Producer: Scott Gemmell - Executive Producer: Javier Jimenez - Post Production: Motion Theory - Art Director: Mark Kudsi - VFX Supervisor: Nick Losq - VFX Producer: Matt Winkel - Lead Programmer: Josh Nimoy - Editorial: Motion Theory - Editor: Josh Basche - Compositing/Finishing: 1.1 VFX - Lead Compositor: Danny Yoon - Colorist: Clark Mueller (Riot)
Hewlett-Packard - Mark Burnett
Agency: Goodby, Silverstein & Partners - San Francisco - Creative Director: Rich Silverstein Steve Simpson - GCD/Copywriter: Mike McKay - ACD/Art Director: Stephen Goldblatt - Copywriter: Harry Cocciolo - Art Director: Pete Conolly - Agency Producer: Ashley Sferro - Senior Agency Producer: Hilary Bradley - Production Company: Motion Theory – Venice - Director: Mathew Cullen - Executive Producer: Javier Jiminez - Post Production Supervisor: James Taylor - VFX: 1.1 VFX Motion Theory – Venice - Sound Designer: Gus Koven - Music/Sound Design: Stimmung - Audio Post Production: Eleven Studios - Santa Monica - Mixer: Jeff Fuller - Design/Animation: Motion Theory – Venice - Compositor: Danny Yoon - VFX Art Director: Mark Kudsi - Compositing: Riot - Santa Monica - Transfer: Clark Mueller
Hewlett-Packard - Shaun White
Agency: Goodby, Silverstein & Partners - San Francisco - Design: Motion Theory - Creative Director: Rich Silverstein Steve Simpson - Associate Creative Director: Stephen Goldblatt Mike McKay - Copywriter: Steve Simpson - Art Director: Pete Conolly - Senior Agency Producer: Hilary Bradley - Production Company: Bob Industries - Director: Dayton/Faris - Director of Photography: Barry Peterson - VFX: Motion Theory and 1.1 VFX - Music/Sound Design: Stimmung - Animation: Motion Theory – Venice - Compositing: Danny Yoon - Art Director (Animation): Kaan Atilla Mark Kudsi
Hewlett-Packard - Jay-Z
Agency: Goodby, Silverstein & Partners - San Francisco - Creative Director: Rich Silverstein Steve Simpson - ACD/Copywriter: Mike McKay - ACD/Art Director: Stephen Goldblatt - Art Director: Pete Conolly - Senior Agency Producer: Hilary Bradley - Production Company: Bob Industries - Director: Dayton/Faris - Director of Photography: Ellen Kuras - Music/Sound Design:
Stimmung - Animation: Motion Theory - Venice
Hewlett-Packard – Gondry
Agency: Goodby, Silverstein & Partners - San Francisco - GCD/Copywriter: Mike McKay - ACD/Art Director: Stephen Goldblatt - Agency Producer: Vicki Tripp - Production Company: Partizan - Director: Olivier Gondry - Director of Photography: Tim Ives - Executive Producer: Sheila Stepanek - Line Producer: Valerie Romer - Head of Production (Prod.Co.): Ian Bearce - Editorial Company: Jigsaw - Santa Monica - Editor: Olivier Gajan - Visual Effects: 8 VFX - Executive Producer (Effects): Baptiste Andrieux - VFX Producer: Marsi Frey - VFX Supervisor: Jean-Marc Demmer - Sound Design: Gus Koven Stimmung - Music: Michel Gondry - Production Manager: Magali Selosse-Bishop - Production Coordinator: Kristel Wedin - Mix Engineer: Peter Rincon - Mix: POP Sound - Santa Monica - Executive Producer (Editorial): Sybil McCarthy-Hadfield - Executive Agency Producer: Josh Reynolds - Partner/Creative Director: Steve Simpson - Co-Chairman/CD: Rich Silverstein
Hewlett-Packard - Vera Wang
Agency: Goodby, Silverstein & Partners - San Francisco - GCD/Copywriter: Mike McKay - ACD/Art Director: Stephen Goldblatt - Agency Producer: Vicki Tripp - Production Company: Partizan - Director: Olivier Gondry - Director of Photography: Tim Ives - Executive Producer: Sheila Stepanek - Line Producer: Valerie Romer - Editorial Company: Filmcore - Editor: Michael Hackett - Visual Effects: 8 VFX - Executive Producer (Effects): Baptiste Andrieux - VFX Supervisor: Jean-Marc Demmer - Sound Design: Gus Koven Stimmung - Music: Mutato Muzika - Mix Engineer: Peter Rincon - Mix: POP Sound - Santa Monica - Executive Producer (Editorial): Scott Frisse - Executive Agency Producer: Josh Reynolds - Partner/Creative Director: Steve Simpson - Co-Chairman/CD: Rich Silverstein
Hewlett-Packard – Pharrell - Il making of.
Agency: Goodby, Silverstein & Partners - San Francisco - Creative Director: Rich Silverstein Steve Simpson - GCD/Copywriter: Mike McKay - ACD/Art Director: Stephen Goldblatt - Art Director: Pete Conolly - Agency Producer: Ashley Sferro - Senior Agency Producer: Hilary Bradley - Production Company: Motion Theory – Venice - Director: Mathew Cullen - Executive Producer: Javier Jiminez - Post Production Supervisor: James Taylor - VFX: 1.1 VFX Motion Theory – Venice - Sound Designer: Gus Koven - Music/Sound Design: Stimmung - Audio Post Production: Eleven Studios - Santa Monica - Mixer: Jeff Fuller - Design/Animation: Motion Theory – Venice - Compositor: Danny Yoon - VFX Art Director: Mark Kudsi - Compositing: Riot - Santa Monica - Transfer: Clark Mueller
Hewlett-Packard - Mark Cuban
Agency: Goodby, Silverstein & Partners - San Francisco - Creative Director: Rich Silverstein Steve Simpson - GCD/Copywriter: Mike McKay - ACD/Art Director: Stephen Goldblatt - Copywriter: John Matejczyk - Art Director: Pete Conolly - Agency Producer: Ashley Sferro - Senior Agency Producer: Hilary Bradley - Production Company: Motion Theory – Venice - Director: Mathew Cullen - Executive Producer: Javier Jiminez - Post Production Supervisor: James Taylor - VFX: 1.1 VFX - Motion Theory – Venice - Sound Designer: Gus Koven - Music/Sound Design: Stimmung - Audio Post Production: Eleven Studios - Santa Monica - Mixer: Jeff Fuller - Design/Animation: Motion Theory – Venice - Compositor: Danny Yoon - VFX Art Director: Mark Kudsi - Compositing: Riot - Santa Monica - Transfer: Clark Mueller
Hewlett-Packard - Paulo Coelho
Agency: Goodby, Silverstein & Partners/SF - Creative Director, Co-Chairman: Rich Silverstein - Creative Director, Partner: Steve Simpson - Group Creative Director: Mike Mckay - Associate Creative Director: Stephen Goldblatt - Executive Producer: Josh Reynolds - Producer: Ashley Sferro - Agency: McCann Erickson/Mexico - Creative Director/Writer/Art Director: Rodrigo Lopez - Production Company: Motion Theory - Director: Mathew Cullen - DP: Roman Jakobi - Producer: Scott Gemmell - Executive Producer: Javier Jimenez - Post Production: Motion Theory - Art Director: Mark Kudsi - VFX Supervisor: Nick Losq - VFX Producer: Matt Winkel - Lead Programmer: Josh Nimoy - Editorial: Motion Theory - Editor: Josh Basche - Compositing/Finishing: 1.1 VFX - Lead Compositor: Danny Yoon - Colorist: Clark Mueller (Riot)
Hewlett-Packard - Mark Burnett
Agency: Goodby, Silverstein & Partners - San Francisco - Creative Director: Rich Silverstein Steve Simpson - GCD/Copywriter: Mike McKay - ACD/Art Director: Stephen Goldblatt - Copywriter: Harry Cocciolo - Art Director: Pete Conolly - Agency Producer: Ashley Sferro - Senior Agency Producer: Hilary Bradley - Production Company: Motion Theory – Venice - Director: Mathew Cullen - Executive Producer: Javier Jiminez - Post Production Supervisor: James Taylor - VFX: 1.1 VFX Motion Theory – Venice - Sound Designer: Gus Koven - Music/Sound Design: Stimmung - Audio Post Production: Eleven Studios - Santa Monica - Mixer: Jeff Fuller - Design/Animation: Motion Theory – Venice - Compositor: Danny Yoon - VFX Art Director: Mark Kudsi - Compositing: Riot - Santa Monica - Transfer: Clark Mueller
Hewlett-Packard - Shaun White
Agency: Goodby, Silverstein & Partners - San Francisco - Design: Motion Theory - Creative Director: Rich Silverstein Steve Simpson - Associate Creative Director: Stephen Goldblatt Mike McKay - Copywriter: Steve Simpson - Art Director: Pete Conolly - Senior Agency Producer: Hilary Bradley - Production Company: Bob Industries - Director: Dayton/Faris - Director of Photography: Barry Peterson - VFX: Motion Theory and 1.1 VFX - Music/Sound Design: Stimmung - Animation: Motion Theory – Venice - Compositing: Danny Yoon - Art Director (Animation): Kaan Atilla Mark Kudsi
Hewlett-Packard - Jay-Z
Agency: Goodby, Silverstein & Partners - San Francisco - Creative Director: Rich Silverstein Steve Simpson - ACD/Copywriter: Mike McKay - ACD/Art Director: Stephen Goldblatt - Art Director: Pete Conolly - Senior Agency Producer: Hilary Bradley - Production Company: Bob Industries - Director: Dayton/Faris - Director of Photography: Ellen Kuras - Music/Sound Design:
Stimmung - Animation: Motion Theory - Venice
giovedì 24 maggio 2007
Frank Budgen. The master.
Uno dei più grandi registi pubblicitari di tutti i tempi. Se avete la fortuna di avere un budget decente e avete un'idea all'altezza di cotanta regia, potete contattare Frank qui.
Adidas - Slugs - Shortlist Cannes 2003
Audi - Drink Like a Fish – Shortlist Cannes 2003
Centraal Beheer - Museum - Gold Lion Cannes 1997
Guinness - Bet on Black - Silver Lion Cannes 2000
Hewlett Packard - Next Next Shift – Bronze Lion 2004
Lego - The Box - Bronze Lion Cannes 1999
Levi’s - Twist - Gold Lion Cannes 2001
Levi’s - Worn/Rub - Bronze Lion Cannes 2003
Nike - Beautiful - Gold Lion Cannes 2000
Nike - Shadow Running - Gold Lion Cannes 2002
Nike - Tag - Grand Prix Cannes 2002
Nike Shox - Streaker - Shortlist Cannes 2003
NSPCC – Cartoon - Gold Lion Cannes 2002
PS2 - Double Life - Silver Lion Cannes 1999
PS2 - Mountain - Grand Prix Cannes 2004
Reebok - Run Easy 2007 - Il making of.
Reebok - Sofa - Gold Lion Cannes 2002
Stella Artois - Bench – Omaggio a Bunuel - Shortlist Cannes 2006
Sony - The unexpected - Silver Lion 1999
Xbox – Jump Rope - Silver Lion Cannes 2006
Stella Artois - Hero’s Return - Gold Lion Cannes 2001
Stella Artois 'Hero's Return' commercial I voiced
Aggiungi al profilo personale | Altri video
Xbox – Water Balloons - Shortlist Cannes 2006
Adidas - Slugs - Shortlist Cannes 2003
Audi - Drink Like a Fish – Shortlist Cannes 2003
Centraal Beheer - Museum - Gold Lion Cannes 1997
Guinness - Bet on Black - Silver Lion Cannes 2000
Hewlett Packard - Next Next Shift – Bronze Lion 2004
Lego - The Box - Bronze Lion Cannes 1999
Levi’s - Twist - Gold Lion Cannes 2001
Levi’s - Worn/Rub - Bronze Lion Cannes 2003
Nike - Beautiful - Gold Lion Cannes 2000
Nike - Shadow Running - Gold Lion Cannes 2002
Nike - Tag - Grand Prix Cannes 2002
Nike Shox - Streaker - Shortlist Cannes 2003
NSPCC – Cartoon - Gold Lion Cannes 2002
PS2 - Double Life - Silver Lion Cannes 1999
PS2 - Mountain - Grand Prix Cannes 2004
Reebok - Run Easy 2007 - Il making of.
Reebok - Sofa - Gold Lion Cannes 2002
Stella Artois - Bench – Omaggio a Bunuel - Shortlist Cannes 2006
Sony - The unexpected - Silver Lion 1999
Xbox – Jump Rope - Silver Lion Cannes 2006
Stella Artois - Hero’s Return - Gold Lion Cannes 2001
Stella Artois 'Hero's Return' commercial I voiced
Aggiungi al profilo personale | Altri video
Xbox – Water Balloons - Shortlist Cannes 2006
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