giovedì 16 ottobre 2014
PSA of the day. David's story: Road safety campaign
Hard-hitting footage of a fatal collision in Norfolk has been released by police in a bid to get motorcyclists and drivers to think seriously about road safety. Viewers are warned that this video contains content which some may find distressing, but it does not show any graphic images of the rider during or after the collision and they are given the option to refrain from viewing.
More info here
Funny ad of the day. Get Lolli - The Instagram Horror Game (Chupa Chups Halloween 2014)
via lbbonline.com
Join Finger’s quest to rescue Lolli from the haunted house! Grab your phone and play “Get Lolli”, the first choose-your-own-adventure game on Instagram. Help us to find Lolli at instagram.com/getlolli
#GetLolli
Join Finger’s quest to rescue Lolli from the haunted house! Grab your phone and play “Get Lolli”, the first choose-your-own-adventure game on Instagram. Help us to find Lolli at instagram.com/getlolli
#GetLolli
ADVERTISER
ADVERTISER: Perfetti Van Melle
AGENCY
PRODUCER: Daphne Ng
PLANNER: Lindsey Cummings, Heidi Lahtinen
CREATIVE DIRECTOR: Tinus Strydom
COPYWRITER: Omar Sotomayor
ART DIRECTOR: Gaston Soto
ADVERTISING AGENCY: BBH Asia
ACCOUNT MANAGER: David Webster, Bassam Abdel-Rahman, Bernice Ooi, Michelle Zimmerman
3D Mapping of the day. The House I Grew up in - New Home Insurance TV advert | Hiscox
more info at lbbonline.com
"The ‘house I grew up in’ uses striking projection mapping technology to tell the story of how your home becomes more important as you progress through life."
"The ‘house I grew up in’ uses striking projection mapping technology to tell the story of how your home becomes more important as you progress through life."
ADVERTISER
ADVERTISER: Hiscox
AGENCY
TV PRODUCER: Andy Leahy
PLANNER: Ben de Castella
CREATIVE DIRECTOR: Jim Thornton
COPYWRITER: Kieran Knight
ART DIRECTOR: Veryan Prigg
ADVERTISING AGENCY: VCCP
MUSIC AND SOUND
SOUND DESIGN: Sam Robson at 750mph
MUSIC PRODUCTION: Christopher Slaski
Storytelling of the day. A Bee Friendlier Flower Bombing
Find out how you can help bees at www.bee-friendlier.com
We depend on bees for diversity in our food system. But bees are in trouble, which is why Cascadian Farm wanted to help. We launched our Bee Friendlier initiative with a Flower Bombing in Yolo County, California, where we planted over a million native wildflower seeds to help increase pollinator habitat.
Watch the video above and join the cause by planting your own wildflowers, buying organic and avoiding pesticides. Because even a small change can make a big difference.
#beefriendlier
Music: “Glósóli” performed by Sigur Rós
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Client: Cascadian Farm
Agency: Solves, Minneapolis, MN
Senior Creative Director: Chelsea Klevasahl
Creative Director: Hans Hansen
Senior Writer: Janelle Erickson
Account Executive: Andrew Pautz
Production Company: HēLō
Director: Kyle Ruddick
Executive Producer: Justin Moore-Lewy
Managing Director: Brendan Kiernan
Producer: Tracey Karka
DP: Ian Rigby
Post Production: ONE DAY ON EARTH
mercoledì 15 ottobre 2014
Negative approach of the day. Have you been flying BLAH Airlines? Virgin America
"We reached out to Bryan Houlette, creative director on the Virgin America account at Eleven, and asked him a few questions about the creative process for the campaign.
Take a look inside BLAH Airlines Flight 101 from Newark to San Francisco. Witness the harsh reality of nearly six hours of flying at its worst, from takeoff to landing. Unfortunately, this is a familiar experience for far too many travelers.
If you’ve been flying BLAH, it’s time to take a radical departure to Virgin America. Trade peanuts and annoying service for WiFi, entertainment, power outlets, mood lighting, and food and drinks on demand. Grab a seat at http://www.virginamerica.com.
Adweek: Where did the inspiration for this idea come from?
Bryan Houlette: Today, most of the options for flying—besides Virgin America—are pretty bland, lack personality and rarely have the latest in amenities. Yet people fly them because they're tied to mileage programs and feel like they have to. It's almost like they're traveling on autopilot—without realizing they don't have to get on that boring flight.
Bryan Houlette: Today, most of the options for flying—besides Virgin America—are pretty bland, lack personality and rarely have the latest in amenities. Yet people fly them because they're tied to mileage programs and feel like they have to. It's almost like they're traveling on autopilot—without realizing they don't have to get on that boring flight.
We wanted to recreate the feeling of what it's like to fly on autopilot and then remind people there's a better way to fly. So we created a film that shows what's it like when you're on a "blah" flight, from takeoff to landing. We called it BLAH Airlines flight 101, and we made it the length of an actual cross-country flight."
Read the full interview at adweek.comTake a look inside BLAH Airlines Flight 101 from Newark to San Francisco. Witness the harsh reality of nearly six hours of flying at its worst, from takeoff to landing. Unfortunately, this is a familiar experience for far too many travelers.
If you’ve been flying BLAH, it’s time to take a radical departure to Virgin America. Trade peanuts and annoying service for WiFi, entertainment, power outlets, mood lighting, and food and drinks on demand. Grab a seat at http://www.virginamerica.com.
Client: Virgin America
Agency: Eleven Inc.
Chief Creative Officer: Mike McKay
Creative Director: Bryan Houlette
Senior Art Directors: Sarah Worthington, Bryan Houlette
Senior Copywriter: Aryan Aminzadeh
Copywriters: Jon Korn, Kevin X. Barth
Head of Integrated Production, Executive Producer: Anastacia Maggioncalda
Producer, Live Action: Lindsey Wood
Producers, Digital/Social: Michael Phillips, Amanda Punzalan
Activation Strategy Director: Fiona Su
Director of Social Media: Maura Tuohy
Director of Client Services: Rob Garnett
Account Management Supervisor: Lily Byrne
Account Manager: Meghan Kemp
Director: Shillick
Print Photography: JUCO
Print Post: DMAX
Executive Producer: Josh Ferrazzano
Producer: Bo Clancey
Directort of Photography: Peter Thompson
Video Postproduction, Sound Design: World War Seven
Editor: Kevin X. Barth
Visual Effects Artist: Sean Pfeiffer
Additional Visual Effects: Sean Addo
Colorist: Robert Crosby
Additional Editing: Penny Krueger, Nick Brown
Additional Sound Mixing: Matt Wood
Agency: Eleven Inc.
Chief Creative Officer: Mike McKay
Creative Director: Bryan Houlette
Senior Art Directors: Sarah Worthington, Bryan Houlette
Senior Copywriter: Aryan Aminzadeh
Copywriters: Jon Korn, Kevin X. Barth
Head of Integrated Production, Executive Producer: Anastacia Maggioncalda
Producer, Live Action: Lindsey Wood
Producers, Digital/Social: Michael Phillips, Amanda Punzalan
Activation Strategy Director: Fiona Su
Director of Social Media: Maura Tuohy
Director of Client Services: Rob Garnett
Account Management Supervisor: Lily Byrne
Account Manager: Meghan Kemp
Director: Shillick
Print Photography: JUCO
Print Post: DMAX
Executive Producer: Josh Ferrazzano
Producer: Bo Clancey
Directort of Photography: Peter Thompson
Video Postproduction, Sound Design: World War Seven
Editor: Kevin X. Barth
Visual Effects Artist: Sean Pfeiffer
Additional Visual Effects: Sean Addo
Colorist: Robert Crosby
Additional Editing: Penny Krueger, Nick Brown
Additional Sound Mixing: Matt Wood
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