This Grandma's Car was actually for sale by private owner but has now SOLD.
To purchase a new car of this trim level and prestige would cost tens of thousands of dollars. However, owning this shapeless, yet well-appointed land yacht will cost you little more than ten one-hundreds. Like any old car, with some quality parts and a little NAPA Know How, this spry granny-of-a-sedan could have many serviceable miles left.
NAPA is not responsible for the condition or sale of this vehicle. This vehicle is owned and for sale by a private owner. One available.
$1,200 OBO (Yes, it’s actually for sale by a private owner http://bit.ly/Carlisting2). In spite of the fact that you could probably fit it in the bed of most new trucks, this tiny beater has some major plusses. For example, it comes pre-dented, so instead of wiping it down with a diaper every weekend, you can do truck things that trucks are supposed to do. No, it’s not perfect, but with some quality parts and a healthy dose of NAPA Know How, you could be hauling small-to-medium size payloads in no time. NAPA is not responsible for the condition or sale of this vehicle. This vehicle is owned and for sale by a private owner. One available. Chair not included. Learn more here: http://knowhow.napaonline.com/napa-gi... The Power Commuter - SOLD - NAPA Know How
Yes, this blue beauty was actually for sale by private owner but has now SOLD.
Like a fine Detroit wine, this compact hunk of American steel has only gotten better with age. Not only will it get you where you want to go without any hassle, it’ll get you lots of places you don’t want to go, like the DMV, jury duty or the gym. But with a manual five-speed transmission (six if you count reverse), at least it’ll keep you occupied along the way. With some quality parts and a little NAPA Know How, this could be the Power Commuter you’ve been looking for. Or, not looking for.
NAPA is not responsible for the condition or sale of this vehicle. This vehicle is owned and for sale by a private owner. One available.
Learn more here: http://knowhow.napaonline.com/napa-gi...Client: NAPA Auto Parts Senior Vice President of Marketing: Gaylord Spencer Agency: VML Executive Creative Director: Aaron Evanson Group Creative Director: James Holden Creative Director: Derek Anderson Writer: Derek Anderson Art Director: Matt McNary Art Director: Andrew Crane Senior Brand Planner: Jeremy Franklin Senior Channel Manager (Social): Chelsie McCullough Group Director, Client Engagement: Susan Clements Supervisor, Client Engagement: Laura Picicci Producer: Megan Thompson Business Affairs: Julie Kolton Director: Reid Bangert Production Company: North Pass Media Audio: Evolution Audio Editor: Matt Blume Colorist: Taylre Jones Senior Producer: Melissa Willis Media Agency: Spark
Who needs a six pack when you have your own thing? No must-have, must-be, fashion norms or body standards. The most attractive man you can be is yourself. So find what makes you, you. Then work on it. Client: Axe Agency: 72andSunny, Amsterdam Director: François Rousselet, Division
'Like Talking to a Wall' - Unimpossible Missions - GE
'Catching Lightning in a Bottle' - Unimpossible Missions - GE
'A Snowball’s Chance in Hell' - Unimpossible Missions - GE
CREDITS Client: GE Andy Goldberg, Chief Creative Officer Lindsay Stein, Associate Global Creative Director Gina Vitale, Senior Specialist, Brand Experience and Creative
Spot: "Snowball's Chance in Hell"
Agency: BBDO David Lubars, Chief Creative Officer, Worldwide Greg Hahn, Chief Creative Officer, New York Michael Aimette, Executive Creative Director Gary Du Toit, Creative Director, Copywriter Lance Vining, Creative Director, Art Director Dave Rolfe, Head of Production George Sholley, Executive Producer Jack Patrick, Assistant Producer Rani Vaz, Executive Vice President, Head of Music Production Brandon Fowler, Executive Vice President, Worldwide Senior Director Lindsey Cash, Tessa Cosenza, Account Directors Elizabeth Jacobs, Assistant Account Executive
Production Company: Bullitt Todd Makurath, Chief Executive Officer Luke Ricci, Executive Producer Elicia Laport, Head of Production Jon Dawes, Producer
Director: Diego Contreras
Editorial: Rock Paper Scissors Eve Kornblum, Executive Producer Jenny Greenfield, Producer Ted Guard, Christopher Mitchell, Editors J.K. Carrington, Assistant Editor
Visual Effects: A52 Patrick Nugent, Executive Producer Kim Christensen, Head of Production Catherine Yi, Producer Andy Rafael Barrios, Visual Effects Supervisor Michael Vaglienty, Urs Furrer, Michael Plescia, Brendan Crockett, Visual Effects Artists Ahmet Ahmet, Mara Smalley, Leanne Dare, Art Directors Peter Murphy, Animator Erika Bird, Designer
Telecine: Company 3 Clare Movshon, Producer Sofie Friis Borup, Colorist
Original Music, Sound Design: Barking Owl Sound Kelly Bayett, Creative Director K.C. Dossett, Producer Michael Anastasi, Morgan Johnson, Sound Designers
Mix, Sonic Union Patrick Sullivan, Producer Michael Marinelli, Engineer
—Spot: "Lightning in a Bottle"
Agency: BBDO David Lubars, Chief Creative Officer, Worldwide Greg Hahn, Chief Creative Officer, New York Michael Aimette, Executive Creative Director Gary Du Toit, Creative Director, Copywriter Lance Vining, Creative Director, Art Director Lucas Owens, Senior Copywriter Sei Rey Ho, Senior Art Director Dave Rolfe, Head of Production George Sholley, Executive Producer Jack Patrick, Assistant Producer Rani Vaz, Executive Vice President, Head of Music Production Brandon Fowler, Executive Vice President, Worldwide Senior Director Lindsey Cash, Tessa Cosenza, Account Directors Elizabeth Jacobs, Assistant Account Executive
Production Company: Bullitt Todd Makurath, Chief Executive Officer Luke Ricci, Executive Producer Elicia Laport, Head of Production Jon Dawes, Producer
Director: Diego Contreras
Editorial: Rock Paper Scissors Eve Kornblum, Executive Producer Jenny Greenfield, Producer Ted Guard, Editor Christopher Mitchell, Editor J.K. Carrington, Assistant Editor
Visual Effects: A52 Patrick Nugent, Executive Producer Kim Christensen, Head of Production Catherine Yi, Producer Andy Rafael Barrios, Visual Effects Supervisor Michael Vaglienty, Urs Furrer, Michael Plescia, Brendan Crockett, Visual Effects Artists Ahmet Ahmet, Mara Smalley, Leanne Dare, Art Directors Peter Murphy, Animator Erika Bird, Designer
Telecine: Company 3 Clare Movshon, Producer Sofie Friis Borup, Colorist
Original Music, Sound Design: Barking Owl Sound Kelly Bayett, Creative Director K.C. Dossett, Producer Michael Anastasi, Morgan Johnson, Sound Designers
Mix, Sonic Union Patrick Sullivan, Producer Michael Marinelli, Engineer
—Spot: "Talking to a Wall"
Agency: BBDO David Lubars, Chief Creative Officer, Worldwide Greg Hahn, Chief Creative Officer, New York Michael Aimette, Executive Creative Director Gary Du Toit, Creative Director, Copywriter Lance Vining, Creative Director, Art Director Dave Rolfe, Head of Production George Sholley, Executive Producer Jack Patrick, Assistant Producer Rani Vaz, Executive Vice President, Head of Music Production Brandon Fowler, Executive Vice President, Worldwide Senior Director Lindsey Cash, Tessa Cosenza, Account Directors Elizabeth Jacobs, Assistant Account Executive
Production Company: Bullitt Todd Makurath, Chkief Executive Officer Luke Ricci, Executive Producer Elicia Laport, Head of Production Jon Dawes, Producer
Director: Diego Contreras
Editorial: Rock Paper Scissors Eve Kornblum, Executive Producer Jenny Greenfield, Producer Ted Guard, Chkristopher Mitchell, Editors J.K. Carrington, Assistant Editor
Visual Effects: A52 Patrick Nugent, Executive Producer Kim Christensen, Head of Production Catherine Yi, Producer Andy Rafael Barrios, Visual Effects Supervisor Michael Vaglienty, Urs Furrer, Michael Plescia, Brendan Crockett, Visual Effects Artist Ahmet Ahmet, Mara Smalley, Leanne Dare, Art Directors Peter Murphy, Animator Erika Bird, Designer
Telecine: Company 3 Clare Movshon, Producer Sofie Friis Borup, Colorist
Original Music, Sound Design: Barking Owl Sound Kelly Bayett, Creative Director K.C. Dossett, Producer Michael Anastasi, Morgan Johnson, Sound Designers
Mix, Sonic Union Patrick Sullivan, Producer Michael Marinelli, Engineer
An exploration of sound and apprehension from Aggressive, Echoic and the Loop
Alex Topaller of Grammy Award-winning, New York-based director duo Aggressive talks about their atmospheric exploration of sound:
"The film meditates on presentiment and sound. It is a collaboration between myself and Dan Shapiro, Moscow-based art directors The Loop (aka Alex Mikhaylov and Max Chelyadnikov) and sound design studio Echoic's David Johnston and Tom Gilbert. A combination of live footage and CGI, we intended the soundtrack to drive the visuals. Everyday objects reverberate, twist and react to an oncoming pulse of events as they converge on a farm house in rural America.”
