Finlandia vodka has scoured the globe to find less ordinary people, and is using their wisdom to inspire others to live a life less ordinary. Find out more about the cast of the film: https://www.facebook.com/media/set/?s...
1000 Years is the first installment in the latest campaign from Finlandia Vodka. This film features less ordinary stars: Hafthór Júlíus Björnsson (strongman), Iris Apfel (fashion icon) and Theo Jansen (Strandbeest artist). https://www.youtube.com/watch?v=8HxGM...
Find inspiration in the less ordinary wisdom of Cassandro (drag wrestler), Sulo Karjalainen (Bearman) and Tobba (volcanologist) in the inspiring video, 1000 Years. https://www.youtube.com/watch?v=P7_6m... Client: Finlandia Agency: Wieden + Kennedy London Creative directors: Scott Dungate, Graeme Douglas Copywriter: Paddy Treacy Art director: Mark Shanley Executive creative directors: Tony Davidson, Iain Tait Executive producer: Danielle Stewart Group account director: Paulo Salomao Account director: Matt Owen Account manager: Sophie Lake Head of planning: Beth Bentley Planning director: Martin Beverley TV producer: Michelle Brough Production company: Knucklehead Director: Siri Bunford Executive producer: Matthew Brown Director of photography: Ben Smithard Editorial companies: Lucky Cat, Whitehouse Post Editors: Xavier Perkins, Lucky Cat; Adam Marshall, Whitehouse Post Post producer: Anandi Peiris VFX company: MPC VFX supervisor: Bill McNamara Flame artist: Bill McNamara VFX producer: Anandi Peiris Grade: MPC Colorist: Matthieu Toullet Titles/graphics: Ryan Teixeira Music/sound company: Factory Sound designers: Anthony Moore, Phil Bollard Song: Undeniable, Richie Sosa Interactive producer: Dom Felton Director of relations: Marta Bobic PR manager: Charlotte Corbett
To encourage people to use the train to go and explore nearby cities, Thalys created three interactive billboards. Each billboard represented a city, and each was host to more than 1000 unique sounds from that city. Pedestrians were invited to plug in with their personal headphones and start exploring. Headphones are often used to block out a city. With Thalys Sounds of the City, they were an opportunity to rediscover one. Advertising Agency: Rosapark, Paris, France Creative Directors: Mark Forgan, Jamie Standen Art Director: Olivier Lafaysse Copywriter: Lucile Briotet Co-Founders: Jean François Sacco, Jean Patrick Chiquiar, Gilles Fichteberg Managing Director: Delphine Drutel Account Manager: Camille Hemet Sound Producer: Matthieu Sibony / Schmooze Sound Mixing: Sylvain Rety / Schmooze Case Director: Vincent Rodella Production Company: Birth Producer: Hugo Birth
Running a business is about more than just the numbers — it’s about people and human ambition. To encapsulate this, Grey London has created a film depicting one man’s journey, from the launch of his company in 1974 up until the present day, and tells the story of everything he’s experienced in between: the up-and-down, four-decade journey of a business, from start-up to multinational corporation.
The twist? It’s set entirely in a lift.
“The lift film is really a metaphor for the journey of a business and the people that run it. It takes us through time, and you get to see and feel events in the lifecycle of a business. Yes, it’s a lift journey but it’s the most extraordinary lift journey in the world”, says Nick Rowland, Creative Director at Grey London.
As the lift — and the business — progresses upwards, a multitude of storylines play out within nine square feet: shaking hands on that first deal, watching the number of employees swell and an office romance blossom, office politics and arguments, the bad times — and the anger and frustration they can bring, the crucial deal with foreign investors…
Given the intimate and up-close nature of the location, the shoot was a considerable undertaking in attention to detail — from wardrobe, makeup and hairstyling to prosthetics and props. Not only did the actor have to look 40 years older by the end of the film, everything in the lift had to represent the style of the era being portrayed. The end result is as much a mesmerising portrait of four decades as it is the life of a business. It was directed by Gary Freedman of The Glue Society through Independent films.
Gary Freedman of The Glue Society says: “This is about the journey of a business but at its core, it is a human story and very much centred around a main character, covering all the emotional ups and downs of his life. Telling such an expansive story within the confines of a lift was a very interesting challenge, but that restriction allowed us to really develop creative, often unexpected, ideas.”
“It’s a simple idea and it allows a really good story to be told”, adds Rowland.
The film, which will air globally (including in the UK and Hong Kong) on TV and inflight media, is part of HSBC’s It’s Never Just Business campaign, which launched last year with press, outdoor, digital and airport executions.
CREDITS: Project name: Lift Client: Sarah Threadgould, Head of Marketing Communications and Campaign Strategy, Global Commercial Bank, HSBC Creative agency: Grey London Creative Director: Nick Rowland Copywriter: Jamie Starbuck Copywriter: Theo Bayani Art director: Miguel Gonzales Account team: Barbara Waite, Alex Clarke Agency producer: Harriette Larder Planner: Matthew Gladstone Media agency: Mindshare Media planner: Edward Fall Production company: Independent Films Director: Gary Freedman, The Glue Society Executive Producer: Jani Guest Producer: Jason Kemp DOP: Stephane Fontaine Editor: Adam Spivey Post-production: Tom Johnson @ The Mill Soundtrack composer: Yann Tiersen Audio post-production: Sam Robson @ 750mph
The last slice of Salami can make us fight like enemies to decide who gets it. The world has had enough conflicts. That's why Fiorucci introduces The board of Peace: a smart cutting board that randomly decides who is going to get the last slice.
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L'ultima fetta di salame può trasformarci in nemici disposti a tutto per averla. Ma nel mondo ci sono già abbastanza conflitti. Per questo Fiorucci presenta il Tagliere della Pace: il tagliere che decide casualmente a chi spetta l'ultima fetta. Portando pace e giustizia.
Premi il bottone "Sottotitoli" per la versione in italiano. ADVERTISER: Fiorucci /Campofrío CREATIVE AGENCY McCann Milan ART DIRECTOR: Eoin Sherry CHIEF CREATIVE OFFICER: Alessandro Sabini COPYWRITER: Curro Piqueras CREATIVE AGENCY: McCann Worldgroup CREATIVE DIRECTOR: Gaetano Del Pizzo, Gastón Guetmonovitch & Alessandro Sciortino PRODUCER: Michele Virgilio OFFLINE EDITOR: Paolo Forestale PRODUCTION COMPANY PRODUCTION COMPANY: Movie Magic PRODUCER: Alessia Sala EXECUTIVE PRODUCER: Devora Magnavaca DOP: Marco Graziaplena DIRECTOR: Gigi Casano
McCann Mexico invited 100 women to see a moving film to demonstrate the waterproof resistance of L´Oréal Mascaras by taking pictures of them before and after the screening.
Client: L'Oréal Agency: McCann México Creative VP: Javi Carro Creative Account Group Director: Joanna López Associate Creative Director: Roberto Martínez Senior Copywriter: Adria Jáuregui Art Director: Myriam Barrios Account Director: Audrey Amselli Production Company: Unidad 59 Director: David "Leche" Ruiz Production director: Juan González Production: Rafael López
Director Igor Borghi Stuntman-actor Mauro Aversano Stuntcoordinator Franco Maria Salamon Stunt F.benvenuti actor mariagrazia toccaceli think cattleya y&r
via agencyspy "The spot follows a young local as he hijacks a city tour, giving tourists an insider’s look at the city rather than the bland boat trip they signed up for."
Agency: W+K
Executive Creative Director Mark Bernath & Eric Quennoy Creative Director Thierry Albert & Faustin Claverie Art Director Kia Heinnen Copywriter Zoe Hawkins Head of Broadcast Production Joe Togneri Broadcast Producer Elissa Singstock Planner Nick Docherty Group Account Director Jordi Pont Account Manager Amber Martin Project Manager Stacey Prudden Business Affairs Emilie Douque
FILM PRODUCTION PRODUCTION COMPANY MJZ FILMS Director Dante Ariola Director of Photography Philippe Le Sourd Producer Natalie Hill Executive Producer Debbie Turner
EDITING COMPANY PEEP SHOW POST Editor Andrea MacArthur
AUDIO POST GRAND CENTRAL RECORDING STUDIOS Sound Designer/Mixer Raja Sehgal
MUSIC SCHMOOZE Artist / Title Feu Chatterton/ J’aime regarder les filles Music Company Schmooze
POST PRODUCTION METHOD STUDIOS NEW YORK / CO.3 Flame Tom McCullough 3D Rick Walia Telecine Stefan Sonnenfeld (Co.3) Producer Matthew Engel (Method NY) / Rhubie Jovanov (Co.3)
Train like the #uswnt with the right Women’s soccer gear, training apps and inspiration for on and off the field. Find everything you need to own the game: http://Nike.com/WomensSoccer #NoMaybes Agency Thousands Creative
Client: American Honda Motor HR-V Campaign Credits
Spots: "Great Thinking Inside," :60; "Give and Take," :50
Agency: RPA Executive Vice President, Chief Operating Officer: Joe Baratelli Senior Vice President, Executive Creative Director: Jason Sperling Vice President, Creative Director, Copywriter: Ken Pappanduros Vice President, Creative Director, Art Director: Chuck Blackwell Senior Copywriter: Paul Fung Senior Art Director: Marcella Coad Senior Copywriters (for "Great Thinking Inside"): Audrey Attal, Forrest Boleyn Copywriter ("Give and Take"): Adam Gothelf Art Director ("Give and Take"): Michael Enriquez Senior Vice President, Chief Production Officer: Gary Paticoff Vice President, Executive Producer: Isadora Chesler Producer: Matthew Magsaysay
Vice President, Director of Business Affairs: Maria Del Homme Executive Vice President, Management Account Director: Brett Bender Vice President, Account Director, National/Corporate Advertising: Jeff Moohr Vice President, Management Supervisor: Cathy O'Gorman Management Supervisor: Rose McRitchie Account Supervisor: Patty Mira
Production Company: Nexus Directors: Smith & Foulkes Executive Producer: Tracey Cooper Executive Producer ("Give and Take"): Jeremy Smith Line Producer ("Give and Take"): Max Fink Production Manager ("Great Thinking Inside"): Fernanda Garcia Lopez
Postproduction ("Great Thinking Inside"): Time Based Arts Animators: Chris Wood, Sam Osbourne Flame Artists: Mike Skrgatic, James Allen, Sheldon Gardner 3-D Artists: Ben Cantor, Mike Battcock, Kristoffer Andersson, Poul Resen Steenstrup, Eva Kuehlmann, Simon Goodchild Additional Grade: Simone Grattarola
Postproduction ("Give and Take"): MPC Visual Effects Supervisor, Lead Flame: Benoit Mannequin Flame: Vincent Blin Computer Graphics Lead, Lighting: Dameon O'Boyle Computer Graphics Lighter: Tim Kafta Computer Graphics Artist: Clement Renaudin Offline Editor: Billy Sacdalan Executive Producer: Jo Arghiris Senior Producer: Juliet Tierney Producer: Jake Fenkse
Vehicle Scanning, Modeling: Acme Digital Content Kevin Malling, Brandon Acree, Tyson Hill, John Wang
Music Supervision, Composition ("Great Thinking Inside," "Give and Take"): Squeak E Clean Productions
Licensed Music Track ("Great Thinking Inside"): "Gonna Build a Mountain" Composers: Leslie Bricusse, Anthony Newley Performed by: Sammy Davis Jr. Label: Rhino Entertainment, Warner Music Group Company
Sound Design: Factory Sound Designer: Anthony Moore
Music for "Great Thinking Inside" :15s: Antfood Mixing, Sound Design: Lime Studios Engineer: Mark Meyuhas Assistant: Matt Miller Executive Producer: Susie Boyajan
—Digital Credits Client: American Honda Launch Date: 6/8/15
Agency: RPA Executive Vice President, Chief Creative Officer: Joe Baratelli Senior Vice President, Executive Creative Director: Jason Sperling Vice President, Digital Design Director: Michael Takeshita Vice Presidents, Creative Directors: Ken Pappanduros, Chuck Blackwell Associate Creative Director: Jesse Golden Senior Art Director: Jason Ringgold Junior Copywriter: Caleb Nyberg Digital Production Artist: Martin Odisho Senior Production Artist: Chris Gomez
Senior Vice President, Chief Production Officer: Gary Paticoff Vice President, Director of Digital Production: Dave Brezinski Executive Digital Producer: Linda Kim Digital Producer: Annie Hough
Executive Vice President, Management Account Director: Brett Bender Vice President, Group Account Director: Jeff Moohr Management Supervisor: Rose McRitchie Account Supervisor: Patty Mira Account Executive: Paul Sulzer Account Assistant: Nicole Hansen
Production Partner: Time Based Arts
—Print Credits First Insertion Date: 6/8/15 Agency: RPA Executive Vice President, Chief Creative Officer: Joe Baratelli Senior Vice President, Executive Creative Director: Jason Sperling Creative Directors: Ken Pappanduros, Chuck Blackwell Senior Art Director: Jesse Echon Copywriter: Josh Hepburn Digital Artist: Digital Giant Typographer: Lisa Jay Art Producer: Sari Rowe Production Manager: Susan Cockrell
Stoners don’t want to hear marijuana slows reactions and makes driving dangerous. The NZTA needed an authentic, targeted way to deliver the message.
Tinnyvision: a group of guys sharing their stoner sessions on Snapchat. Add them. Get snaps. Watch them and they disappear. No incriminating evidence. Throughout the day, our target audience was entertained by snaps of the guys getting stoned and slow.
11 snaps later, they go for a drive. A girl steps out. The driver is slow to react. She hits the windscreen.
A minute later, viewers receive one final snap: ‘Stoned drivers are slower to react’.
Magnum believes that everyone should indulge in their personal pleasure. It doesn’t matter who you are, or what you take pleasure in; Magnum wish to inspire all Pleasure Seekers to seize it.
Be True To Your Pleasure Film, launched at the Cannes Film Festival on Fri 15 May 2015, celebrates spontaneity and the joy of letting go. It means turning off that little voice inside our head that compels us to live up to social expectations and say no to pleasure. It’s about saying yes.
A day without pleasure is a day lost. Be true to your pleasure. #BeTrueToYourPleasure
via bestadsontv.com Agency Y&R South Africa Country South Africa Uploaded 3 June, 2015 Credits graham lang Chief Creative Officer Chief Creative Officer graham lang Graham KrigeCopywriter Copywriter Graham Krige Rowan FoxcroftArt Director Art Director Rowan Foxcroft Ashleigh HamiltonAgency Producer Agency Producer Ashleigh Hamilton
ELAN Taste the translation from JWT Amsterdam on Vimeo. ELAN languages has a great online translation tool. But not many people know the quality of ELAN because they use the obvious: Google Translate. To prove that ELAN offers a better translation we put both tools to a test. A tasting test. We translated a Japanese recipe, one with ELAN, and one with Google translate. Then a chef cooked the two translated recipes. And we served the two dishes to passers-by. The outcome was clear; ELAN translated a far tastier dish than Google translate. JWT Amsterdam
MILES Chile, seeks to show the problem faced by thousands of women in Chile on abortion, in a provocative way, through 3 fictitious tutorials that show the only way to have an abortion legally in Chile. All this, in the process of the adoption of a law on therapeutic abortion. Support the cause by entering your name and email at http://mileschile.cl/leyabortoterapeu... and join the discussion online with the hashtag #LEYabortoTERAPÉUTICO more info at:
Client: Miles Agency: Grey Chile Creatives: Alberto Osorio, Robert Canales, Pancho Rojas Digital Creative: Felix Padilla, Mauricio Anaya, Roberto Aravena Executive Creative Director: Carles Puig Producer: Mauricio Medina Account Managers: Javier Herrera, Oscar Lizarralde Production Company: Funky Films Executive Producer: Sole Sahie, Marco Jara Director: Diaz+Garry
Client: Harlequin Agency BBDO Toronto Executive Creative Directors: Carlos Moreno, Peter Ignazi Associate Creative Director: Linda Carte Copywriter: Shiran Teitelbaum Art Directors: Linda Carte, Alice Blastorah Account Directors: Martina Ivsak, Paul Forrest Account Coordinator: Zach Kula Agency Producer: Aimee DeParolis
Production Company: Someplace Nice Director: Pete Henderson Executive Producer: Chilo Fletcher, Estelle Weir Director of Photography: Jonny Cliff Editing: Matt Dell, Ricochet Music/Sound House: Ricochet Colour: Eric Whipp, Alter Ego Casting: Shasta Lutz, Jigsaw Casting
Group marketing director: Jim Mueller Senior grilling brand manager: Ron Schroder Agency: Droga5 Creative chairman: David Droga Chief creative officer: Ted Royer Group creative director: Scott Bell Senior copywriter: Ryan Raab Senior art director: Dan Kenneally Chief creation officer: Sally-Ann Dale Head of broadcast production: Ben Davies Executive broadcast producer: Jesse Brihn Senior broadcast producer: Verity Bullard Broadcast producer: Rebecca Wilmer Global chief strategy officer: Jonny Bauer Group strategy director: Aaron Wiggan Senior strategists: Candice Chen, Nick Maschmeyer Communications strategy director: Brian Nguyen Group account director: Dan Gonda Account director: Chris Einhauser Account manager: Kate Tyler Monroe Senior project manager: Amy Blitzer Interactive production company: Sneakers Agency Creative director: Christopher White Production Company: m ss ng p eces Founder, executive producer: Ari Kuschnir Partners, executive producers: Brian Latt, Kate Oppenheim Director: Ray Tintori DOP: Rob Leitzell Head of production: Dave Salzman Producer: Drew Houpt Editorial: m ss ng p eces Editor: Sam Zimman Assistant editor: Will Kanellos Producer: Orlaith Finucane Color: The Mill Colorist: Aline Sinquin Sound: One Thousand Birds Mixer: Calvin Hunting Pia
Nike Air Max Day Hong Kong: 'Step Back in Time' interactive installations from John Koay on Vimeo. "On 3.26.15 Air Max Day, we created interactive installations that showed how this iconic sneaker has been a part of Hong Kong’s popular culture since 1987. We invited five local born artists to illustrate and reflect how each Air Max model has a Hong Kong story for each year. To take people back in time, we used the 5 human senses of 'sight, sound, smell, taste and touch’ to allow the person to experience and re-live the history between the city and this iconic sneaker."
Agency: Ogilvy & Mather Hong Kong Chief Creative Officer: Reed Collins Creative Directors: John Koay, Paul Suters Art Directors: John Koay, Anita Ng Head of Creative Technology: Craig Mason Group Account Director: Penny Chow Account Manager: Ava Lee Account Executive: Fay Kwong Ilustrators: Simon Koay, Little Thunder, Parent's Parents, Ah To, Kristopher Ho
via designboom.com Agency: Leo Burnett FIAT | THE INTERACTIVE PARKING BILLBOARD from Viktor on Vimeo. How can a feature that has now become extremely familiar like a parking assist system, be staged in an entirely novel way using innovative technology? And how can the extremely bothersome parking process be turned into an enjoyable experience? Introducing the interactive parking billboard. We developed our own software, linked to ultrasonic sensors. This monitored the parking space and controlled our special human parking assistants. The individual video sequences were played back according to our script, so that the distance between the hands precisely matched the distance to the car behind.
Client: Ford Brand: Ford Transit CREATIVE: Peter Hvid CREATIVE AGENCY: Blue Hive CREATIVE DIRECTOR: Steve Clarke PRODUCER: Romila Sanassy MUSIC AND SOUND SOUND MIX: Dan Weinberg @ Greek Street Studios MUSIC SYNC: Eclectic / Syncbubble POST PRODUCTION / VFX PRODUCER: Jordan Andreopoulos POST PRODUCTION HOUSE: Jam Films PRODUCTION COMPANY PRODUCTION COMPANY: Annex Films PRODUCER: Fred Robinson DIRECTOR: Kit Lynch-Robinson
