via creativity-online.com
SIGN THE PETITION NOW TO PROTECT CHILDREN IN WAR: http://warchild.campaignion.org/help
Video: Warning graphic content
The scenarios in this innovative, gaming-style video are drawn from real-life testimonies of children in War Child’s projects across Africa and the Middle East, who have witnessed and experienced the most unacceptable violations to their rights.
The HELP campaign is urging reform in the humanitarian system which currently neglects the needs and rights of children in war.
You can sign the HELP campaign petition at http://warchild.campaignion.org/help
The hard-hitting ‘Duty of Care’ video is at the forefront of War Child UK's HELP campaign. It subverts first person shooting games by showing the horror of war through the eyes of Nima, a nine-year-old girl.
The creative team behind the video were Heydon Prowse from BBC3's The Revolution Will Be Televised, Creative Directors Guy Davidson and Daniel Clarke from London-based agency TOAD, Director Daniel Luchessi and the post production team at H&O and OgilvyOne.
The purpose of the campaign video is to engage people to sign the petition which calls on the UK Government to become champions for children in war, such as those Nima represents in the video.
Providing protection can reduce and prevent atrocities against children. Yet a shocking new statistic released by War Child UK reveals that less than 3% of humanitarian funding is spent on protecting children in war zones, despite them making up more than 50% of the population.
The campaign is targeting the upcoming World Humanitarian Summit to ensure that this unjust disparity is addressed. The greater the level of support, the more difficult it becomes to ignore the protection of children in war when world leaders meet at the World Humanitarian Summit next May.
War Child UK knows, from over two decades of expertise in the field, that child protection interventions in war save lives and that children and their families prioritise their safety and education above even the most basic needs such as food and shelter.
The simple truth is, whilst food, water and shelter are daily necessities, they do not keep a child in war safe from harm.
The medical kit in the video demonstrates that these tangible forms of aid are offering a cure to only part of the problem – they cannot treat trauma, and they cannot stop the violent acts that cause the trauma in the first place.
2014 was the worst year on record for children in conflict and 2015 has seen further deterioration; being dubbed the ‘year of fear for children’ by UN Envoy for Education, and former UK Prime Minister, Gordon Brown.
The landmark summit, which will determine the fates of millions of children worldwide, takes place in Istanbul next May and is an initiative of United Nations Secretary-General Ban Ki-moon who stated: “The world is changing, and we need to make sure we change with it to meet the needs of those affected by crisis in a timely and effective manner… The number of people in need of humanitarian assistance around the world has doubled in just ten years.”
He has called on UN member states to “aim high" and said the World Humanitarian Summit is “a major opportunity to align major global commitments to support the world’s most vulnerable people.”
War Child is calling upon the UK Government to seize this unique opportunity and use its influence to prevent grave violations occurring against children in conflict emergencies.
The HELP campaign aims to unite thousands of people behind this goal and asks them get behind the campaign by signing an online petition.
You can sign the HELP campaign petition at http://warchild.campaignion.org/help
mercoledì 29 luglio 2015
venerdì 24 luglio 2015
Animation of the day. AZEL PHARA - GREEN
AZEL PHARA - GREEN from bif on Vimeo.
directed by bif
produced by Mill+
available on Spotify/Deezer/Beatport/GooglePlay
https://soundcloud.com/azelphara
directed by bif
produced by Mill+
available on Spotify/Deezer/Beatport/GooglePlay
https://soundcloud.com/azelphara
directed by bif
produced by Mill+
produced by Mill+
available on Spotify/Deezer/Beatport/GooglePlay
soundcloud.com/azelphara
soundcloud.com/azelphara
giovedì 23 luglio 2015
martedì 21 luglio 2015
Sport ad of the day. Nike: Short A Guy
via creativereview.co.uk
Agency: Wieden + Kennedy Portland; Creative directors: Chris Groom, Stuart Brown; Creatives: Derek Syznal, Jason Campbell; Director: Stacy Wall; Production company: Imperial Woodpecker.
Agency: Wieden + Kennedy Portland; Creative directors: Chris Groom, Stuart Brown; Creatives: Derek Syznal, Jason Campbell; Director: Stacy Wall; Production company: Imperial Woodpecker.
lunedì 20 luglio 2015
PSA of the day. Close to Home | It Can Wait
Watch the beautiful reel of the director Frederic Planchon
In Close to Home, we are introduced to six characters on a perfectly average day. Their lives are then irrevocably changed by the devastating consequences of a seemingly innocent glance at a phone while driving. No post is worth a life. It Can Wait.
In Close to Home, we are introduced to six characters on a perfectly average day. Their lives are then irrevocably changed by the devastating consequences of a seemingly innocent glance at a phone while driving. No post is worth a life. It Can Wait.
Client: AT&T
Title: Close To Home
Title: Close To Home
Agency: BBDO New York
Chief Creative Officer, Worldwide: David Lubars
Chief Creative Officer, New York: Greg Hahn
Executive Creative Director: Matt MacDonald
Senior Creative Director: LP Tremblay
Senior Creative Director: Erik Fahrenkopf
CD/Art Director: Grant Mason
CD/Copywriter: Kevin Mulroy
Chief Creative Officer, Worldwide: David Lubars
Chief Creative Officer, New York: Greg Hahn
Executive Creative Director: Matt MacDonald
Senior Creative Director: LP Tremblay
Senior Creative Director: Erik Fahrenkopf
CD/Art Director: Grant Mason
CD/Copywriter: Kevin Mulroy
Director of Integrated Production: David Rolfe
Group Executive Producer: Julie Collins
Executive Producer: Dan Blaney
Music Producer: Melissa Chester
Senior Integrated Business Manager: Cristina Blanco
Group Executive Producer: Julie Collins
Executive Producer: Dan Blaney
Music Producer: Melissa Chester
Senior Integrated Business Manager: Cristina Blanco
Managing Director: Mark Cadman
Senior Account Director: Brian Nienhaus
Account Director: Gati Curtis
Account Manager: Johnny Wardell
Account Executive: Sigourney Hudson-Clemons
Senior Account Director: Brian Nienhaus
Account Director: Gati Curtis
Account Manager: Johnny Wardell
Account Executive: Sigourney Hudson-Clemons
Production Company: Anonymous Content
Director: Frederic Planchon
Executive Producer: Eric Stern
Producer: Paul Ure
Director of Photography: Jody Lee Lipes
Director: Frederic Planchon
Executive Producer: Eric Stern
Producer: Paul Ure
Director of Photography: Jody Lee Lipes
Editorial: WORK Editorial
Editor: Rich Orrick
Assistant Editors: Adam Witten and Trevor Myers
Executive Producer: Erica Thompson
Producer: Sari Resnick
Editor: Rich Orrick
Assistant Editors: Adam Witten and Trevor Myers
Executive Producer: Erica Thompson
Producer: Sari Resnick
Visual Effects: The Mill
EP/Head of Production: Sean Costelloe
Line Producer: Nirad 'Bugs' Russell
VFX Supervisor : Gavin Wellsman
2D Leads: Gavin Wellsman; Krissy Nordella
2D Compositor: Michael Smith; Chris Sonia, Keith Sullivan
2D Assists: Heather Kennedy; Sungeun Moon, Yoon-sun Bae, Marco Giampaolo
3D: Yili Orana , Corey Langelotti
Pre Vis Artist: Jeffrey Lee
Editor: Charlotte Carr
Designer: Clemens den Exter
EP/Head of Production: Sean Costelloe
Line Producer: Nirad 'Bugs' Russell
VFX Supervisor : Gavin Wellsman
2D Leads: Gavin Wellsman; Krissy Nordella
2D Compositor: Michael Smith; Chris Sonia, Keith Sullivan
2D Assists: Heather Kennedy; Sungeun Moon, Yoon-sun Bae, Marco Giampaolo
3D: Yili Orana , Corey Langelotti
Pre Vis Artist: Jeffrey Lee
Editor: Charlotte Carr
Designer: Clemens den Exter
Color: The Mill
Colorist: Aline Sinquin
Colorist: Aline Sinquin
Music House: Grooveworx
Executive Producer: Dain Blair
Sound Design: Brian Emrich
Original music composed by Rob Simonsen
Executive Producer: Dain Blair
Sound Design: Brian Emrich
Original music composed by Rob Simonsen
Sound: Sonic Union
Sound Mixer: Steve Rosen
Sound Mixer: Steve Rosen
Motions Graphics and Titles: Polyester
Digital stuff of the day. Ural Music Night festival - Listen to ME
Advertising Agency: Voskhod, Yekaterinburg, Russia
Creative Director: Andrey Gubaydullin
Copywriters: Darya Ovechkina, Anton Rozhin
Art directors: Vladislav Derevyannikh, Darya Ovechkina
Designers: Yana Akhmetshina, Vladislav Derevyannikh, Dmitry Maslakov
Published: June 2015
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